A Quote by Kevin Spacey
The audience wants control. They want freedom.
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We want freedom. We want freedom from the constraints of the cycles of the sun and the moon. We want freedom from drought and weather, freedom from the movement of game, the growth of plants, freedom from control from mendacious popes and kings, freedom from ideology, freedom from want. This idea of freeing ourselves has become the compass of the human journey.
Clearly the success of the Netflix model, releasing the entire season of 'House of Cards' at once, proved one thing: The audience wants the control. They want the freedom. If they want to binge as they've been doing on 'House of Cards' and lots of other shows, we should let them binge.
Washington wants ObamaCare, the people want freedom. Washington wants amnesty, the people want rule of law. Washington wants power over the internet, the people want freedom online.
I want to be in control of drafting at least 80% the timing and cohesiveness of character and narrative. I want to be in control of giving you an experience, and want you to be acknowledged as an audience and can do things but only in a limited scope.
As soon as you start making a film that's expensive then the studio wants total control over all elements of it because they want to get all their money back. If you make a smaller film you can try a lot more things because you can have control over it and not just be a hired director. The lower the budget the more freedom you have.
I think you do have to attend to the sort of core values of film, which is that the audience wants to have a relationship with the characters, they want to understand what's going on there. There are certain things that comics can have a little bit more freedom in then when you're asking an audience to engage in it as a piece of cinema, but I do feel like the canvas is much bigger and wider and that we're being invited and frankly challenged to take risks, to be a little bit different. And that's fun, that's exciting.
If you start to just aim for what the audience wants to hear, you're already hamstrung because you don't have any freedom.
If I knew what the audience wants to hear I would be the richest guy in the world! There are a lot of people who think they know what the audience wants but are sadly rejected.
A real groupie is someone who loves the music and wants to do it with the guys who make it and someone who goes after what they want, so a groupie is a feminist thing. A woman who goes after what she wants is a feminist. So I've never been anything but a feminist. I took the birth control pill on the Strip in front of everybody and that was my statement. I control my body, I can do whatever the heck I want.
You don't ask a man, 'Do you want to be in control [of your job]?' You assume he wants control. Why would a woman be any different?
Americans who value freedom had better be more concerned about the gun control crowd than the criminals. The criminals want your money. The Neo-Totalitarians want your freedom.
Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
I would define globalization as the freedom for my group of companies to invest where it wants when it wants, to produce what it wants, to buy and sell where it wants, and support the fewest restrictions possible coming from labour laws and social conventions.
Freedom is the quality of being free from the control of regulators and tax collectors. If I want to be free their control, I must not impose controls on others.
Everybody wants freedom. You don't want to be shackled, especially as an artist. Nobody wants to be shackled, at the end of the day.
Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender. It takes you probably five to six minutes to build trust with an audience. A musical you can build trust in three notes. Boom, boom, boom, you're instantly seduced. So musicals have this easy potency, but generally, in my opinion, they waste them, because a musical is incredibly hard to do.
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