A Quote by Kevin Spacey

You just play what a writer writes, in terms of what a character chooses to do and how a character chooses to deal with their various relationships. — © Kevin Spacey
You just play what a writer writes, in terms of what a character chooses to do and how a character chooses to deal with their various relationships.
The lad who dreams of being a boxing champion or an admiral chooses reality. If the writer chooses the imaginary, he confuses the two.
Adversity is a crossroads that makes a person choose one of two paths: character or compromise. Every time he chooses character, he becomes stronger, even if that choice brings negative consequences.
I admire men of character and I judge character not by how men deal with their superiors, but mostly how they deal with their subordinates. And that, to me, is where you find out what the character of a man is.
Feelings are determined by how one chooses to respond to various situations and events.
When I read a good story, I often start thinking, 'Should I live my life according to what this character chooses and values?' It makes me think. I feel like I grew up to be a more mature person while thinking about character development in these fictional situations.
The universal narrator knows all and can enter a character's head any time he chooses.
He who chooses to be a master never does 'just enough' to get by - nor does he cut corners or attempt to cheat the system. He who chooses mastery lives his life asking, 'How can I do more, give more, be more, and thereby accelerate the achievement of my ultimate destiny?
He who chooses the beginning of the road chooses the place it leads to. It is the means that determines the end.
Character is that which reveals moral purpose, exposing the class of things a man chooses and avoids.
I wouldn't know where to start." "He who chooses the beginning of the road chooses the place it leads to." "Thoreau?" "Harry Emerson Fosdick.
I don't think anyone chooses the decathlon as much as it chooses you.
He chooses the beginning of a road, also chooses its outcome.
Some mystery should be left in the revelation of character in a play, just as a great deal of mystery is always left in the revelation of character in life, even in one's own character to himself.
When the boss chooses the system, we must play as well as possible and give everything. It is good to be able to use various systems so that you can change in difficult moments.
The thematic, psychological, and cultural concerns of a writer are more relevant than whatever literary mode he or she chooses to deal with in any given novel.
The girl who chooses to be modest, chooses to be respected.
This site uses cookies to ensure you get the best experience. More info...
Got it!