A Quote by Kevin Sussman

I used to actually work in a comic book stores in New York. — © Kevin Sussman
I used to actually work in a comic book stores in New York.
Radio Shack is meeting the fate of many other stores that were wildly popular in the twentieth century, including record stores, comic book stores, bookstores and video stores.
I used to have weird practices in crowded used-book stores in New York where I'd go in and just stomp my foot and see what fell from the shelf. And of course, because it's an unexpected encounter, there's always some magic that comes from it.
But one of my absolutely favorite things to do is go to comic book stores on the weekends. I'm a huge comic book nerd.
Spider-Man initially made me want to come to New York and work for Marvel; I wanted to be a comic book artist.
I'm used to doing comic books, where every month there's a new comic book! I find that the movie business is not quite the same. It doesn't move quite as fast.
I think every filmmaker makes different choices. I remember in the early days, in some of the early comic book movies, certain white dissolves were used that would try to emulate the look and feel of comic book panel borders. Sometimes they would frame shots in panels or circles that gave it a real comic book feel.
Kerry James Marshall especially was a huge influence on me in graduate school, as were Wangechi Mutu and Julie Mehretu. These artists are titans. My education was also very much in comic books, so I've been going to comic book events in New York and have met a few artists there.
My work looks like a comic book in form, but it's not a typical comic book in content. I write autobiographical stuff.
I invite you all to visit our new Harold Square or Space 98 stores in New York. I think you'll agree with me that these stores have a distinct Urban Outfitters personality, with fresh, exciting product and an experience that resonates with the 18 to 28 year old urban-dwelling customer.
We have a whole other division, where we actually literally take the comic book and animate it. Our feeling was that, if this was going to be our show and that it was going to be a brand new show, it has to be more adventures with these characters, in the same way that, through the years, there have been long runs on the comic book series. It's the same characters, with different voices, along the way.
Alternative cartoonists have to rely on comic book stores to get their stuff in the hands of readers.
I used to go to the comic store all the time. I was into comic cards, which are essentially baseball cards for comic book heroes. They have these cool stats on the back. I had collections of these things. I still have a lot of my collection at home.
The first comic book I ever bought, I was in third grade. It was 'Avengers,' I think, #240. I grew up in Kansas City. And I walked into a 7-11. I had seen, like, 'The Hulk' TV series. I knew about comic book heroes. I knew about it, but I hadn't actually had a physical comic in my hands until that time. And it was a big deal for me.
It's very strange for me to do a comic book for my first movie. But I used to collect - and I love - comic books.
I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool.
I used to think [Shoji] Hamada never drew, until there was a book by Bernard [Leach] published about his work [Hamada: Potter, Tokyo; New York: Harper & Row, 1975] and at the rear of the book were a number of wonderful little sketches, but they were not drawings like Bernard made.
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