A Quote by Kevin Systrom

Really, we're just taking people and shifting them from taking photos anyway to taking them on 'Instagram'. — © Kevin Systrom
Really, we're just taking people and shifting them from taking photos anyway to taking them on 'Instagram'.
We're just taking people and shifting them from taking photos anyway to taking them on Instagram.
What bothers people more than anything is that I'm an old guy taking photos of them. But maybe if you look at the photos, 20, 30 years later, it's not going to matter who took the photos. I mean, they would just be there. People will hopefully get over that.
Instagram is a media company. I think we're about visual media. I explain ourselves as a disruptive entertainment platform that enables communication through visual media. I don't think it's just photos. There's a reason we don't allow you to upload photos on the Web as albums. It's not about taking all these photos off your DSLR putting them into an album and sharing them with your family. It's not about that. It's about what are you up to right now out in the real world, how can you share that with everyone.
As a painter, taking photos is a form of shorthand - note-taking.
We can see an anthill or a roach or a flower or anything, but we have this frame where our mind recognizes an anthill and then moves on, without taking the opportunity to have the sense of awe that we could have if we really looked at it. The montage is about taking pieces of reality and rearranging them - creating new frames to make you have to stop and look at things in a fresh way. It's basically taking pieces of everyday reality and rearranging them to show people the magic that is inherent in all of these things already.
I've always been a big fan of taking old songs and completely turning them on their head. Having no adherence to the fine tradition of the original version. Rearranging them and taking a different approach to them.
The phenomena of taking photos and sharing them isn't new, but with Instagram being mobile, both have become cheaper and faster, producing the instant gratification of knowing how our shots look in our palms.
What's hilarious is people taking photos and they think you don't know. It's the funniest thing I've ever seen. Like taking a picture of their mate for example but about three foot wide of their face - and the flash is on half the time!
I've always been into taking my photos, cropping them square, putting them through a filter in Photoshop.
It's about getting in position and taking a swing. I don't care if you're taking steroids or not; if you don't do those two things, it's not going to matter anyway.
When you talk about avant-garde cuisine, the surprise factor is really important. For example, I love looking at blogs and the photos, but I'm not that keen on other people taking photos of my dishes.
There's a lot of money to be made by taking women seriously, and letting them know you're taking them seriously.
Women are repeatedly accused of taking things personally. I cannot see any other honest way of taking them.
I'm so blessed to be able to work with some of the best writers out there, and it's kind of like college with me sitting in a room with some of the best of the best and really taking it in and learning from them, but then also taking time to sit and tell them my stories - it's one of the biggest blessings that could have ever happened.
My dad bought me a camera, and I started taking it everywhere with me. I realised how much I was enjoying the whole process - from taking the images to editing them and developing them - and it soon became a complete passion.
One can get very fond of the people one meets in bars. The trouble is they then appear sort of different in the daylight and you realize that taking them with you is rather like taking a goldfish for a walk: not entirely correct, and surprising for the next people you run into.
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