A Quote by Kevin Whately

People are very appreciative, and I'm always thrilled at how long the 'Morse' films have lasted. They seem to have an afterlife that goes on and on for decades, which is touching.
Very few pilots even know how to read Morse code anymore. But if a pilot could read Morse code, he could tell which beacon he was approaching by the code that was flashing from it.
I'm deeply appreciative that many people have enjoyed my films, films that I made in my own style. The successes have helped me learn how to make films free of expectations and focus solely on the pure filmmaking aspect, without worrying about how much money it'll make.
I love Billy Wilder, and I love the way that his films can be very touching and very moving and very romantic, and at the same time there's always a little cynical undertone, there's always something that undercuts things.
I have had affairs that lasted decades and others that lasted for hours. I have loved princesses and peasants. And I suppose they loved me, each in their way.
The wonder is that communism lasted so long. But then again, modern poetry lasted a long time, too.
You've no idea how long life goes on and how many, many changes it brings. Young people seem to imagine that it's over in a flash, that they do this thing, or that thing, and then die, but I can assure you they are quite wrong.
I seem to have very few casual readers, only passionate and appreciative ones.
Whenever I have friends over, we end up eating and talking and losing track of time, and, once in a while, singing karaoke. It reminds me of the family meals we had in Russia, which always lasted a very long time. That's a tradition I miss.
The disconnect lasted too long. I think people got the idea I was sullen and couldn't communicate, which wasn't true.
If there's a big problem and you've got the right people with you, usually the answer emerges and you do what's the obvious thing to do. I don't think of myself as some great manager or great leader. I've been very lucky to be in the positions that I've been in. I meet a lot of people and I've grown a lot of companies, and I meet a lot of CEOs at big enterprises. I'm always so surprised at how much they seem to know. It doesn't always seem to be correlated to how well they actually do.
Not only are we harried by time, we seem unable, despite a thousand generations, even to get used to it. We are always amazed at it–how fast it goes, how slowly it goes, how much of it is gone. Where, we cry, has the time gone? We aren’t adapted to it, not at home in it. If that is so, it may appear as a proof, or at least a powerful suggestion, that eternity exists and is our home.
I have been told that... time doesn't flow in a straight line in my films. It goes round in a circle. Sometimes people comment that the films remind them of Ozu. Maybe that's right. But in Japan, nobody comments on how time passes in my films. So perhaps that is a different way of thinking.
I'm very appreciative, I'm feeling very blessed and I like to live in the moment so any person I meet, I start to leave my mark. As far as my work goes, I just hope that people like it when I do it. I certainly give my best and try to learn as much as I can while I'm working or studying for a role.
The miracle, of course, was not that the oil for the sacred light - in a little cruse - lasted as long as they say; but that the courage of the Maccabees lasted to this day: let that nourish my flickering spirit.
I've always been interested in how people think, how they react to challenges in their lives - what makes people tick. I've also always been passionate about social issues and causes, and I wanted to make films that addressed important issues in very human terms.
Some films clearly seem to divide people. And I do think there's something incredibly exciting about the commonality of us as human beings, which some films are lucky enough to tap into.
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