A Quote by Kevin Whately
I initially thought 'Lewis' was a terrible idea. The character had very much been Morse's work donkey and sounding board. But I was persuaded to do it, thinking if it was a flop, at least ITV would stop asking me. But the pilot took off, so we got back on this moving train, and we've never looked back.
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I never really grasped how big it was when I initially got 'Alexander'; I thought, 'Ooh, this is exciting,' but after I got home, I looked back and thought, 'That was an incredible experience.' I got to work with some massive names in Hollywood, and I learnt so much, and then it really kind of struck me how life-changing it was.
My son was about five or six months old, and he was ill, and I was sent to New York to interview three people back to back. I got home, and I saw my baby. He had been very ill, and he was on three kinds of antibiotics. I'd been away for eight days. I looked at him and thought, 'What am I doing? I'm a terrible mother and a terrible journalist.'
I had a donkey called Sally that I used to call my BMX bike. As a child, I wasn't a very good horse rider: I thought falling off was normal, and I would just get back on again. I didn't realise you weren't meant to fall off.
But what I wanted back had never really been there. He was a temporary illusion, a mirage of water after walking in the desert. I had made him up. And he could have killed me. You've got to stop the ride sometimes. Stop it and get off.
I was at Watford and got a knock-back when I was 16 and didn't get a YTS contract. They said I could find another club or go in and train three times a week after school. I'd been there since I was 10, so I got my head down and proved them wrong. Within a year, they had signed me up, and I haven't looked back.
I catch an old 'Morse' on ITV3. I've never thought I looked particularly like my son. He's taller than me and blond. But when I see Lewis walk into a room with John Thaw, it's like my son has just come onto the screen. That's very strange indeed!
... That would be like stepping in front of a moving train and saying, 'Hey, honey, come stand next to me.'" I hopped off the wall and stood next to him. "Anytime." He just looked at me. "I've never killed a train before. It might be fun to try.
It took me a while to get back to 'The Queen of the Night.' I was angry with it as an idea because I felt like it had sort of ruined my life by taking so much attention away from 'Edinburgh.' So it essentially languished in a drawer until 2004, when I pulled it out, dusted it off, and thought, 'Oh, I actually really like this idea.'
The realization of what would happen next settled gradually over Harry in the long minutes, like softly falling snow. "I've got to go back, haven't I?" "That is up to you." "I've got a choice?" "Oh yes." Dumbledore smiled at him. "We are in King's Cross, you say? I think that if you decided not to go back, you would be able to…let's say…board a train." "And where would it take me?" "On," said Dumbledore simply.
I'm very lucky with my family. They've always been very encouraging, and they never thought that anything would hold me back. I'm very fortunate to have had that.
I've had terrible, terrible, terrible shows where I just thought, "That was off-key" or I forgot lines or I thought I looked like an idiot, and then you're leaving and talking to people, and they're like, "I had the best time of my life! That was amazing!" You just never know.
ITV and the production company contacted me and asked if I fancied playing the role [of Maigret]. It took me a long time to decide to do it. In fact, I decided not to. I thought about it for some weeks, and thought 'perhaps not' and it went away for a while, and then it sort of came back. They said 'Are you sure you don't want to play him?', so I thought about it for a lot longer again, and eventually decided that I would.
I remember thinking as I was doing the jokes for the first time, "If I can hear that very clearly, I'm not hearing laughter." It just became deafening, this buzzing noise. I mean, it was brutal. It was really terrible. Then I remember thinking, "At least nobody important, or anyone who I really respect, saw that." And then literally right when I went off the stage, Jerry Seinfeld got up and went on. So I was like, "Oh great. Seinfeld saw me bomb." On the other hand, I thought, "At least no one will be thinking of me anymore. They'll just be focusing on him."
L.A. ispolluted. It's overpopulated. But it is very much home. It was inevitable for me, the moving back. I was living in San Francisco, and Joan broke it off with me, and I needed a place to live. I'd been divorced. And I needed to write movies and TV shows to earn a living. Alimony. All that. So I figured what the hell, I'll go back to L.A.
When I went to law school, which after all was back in the dark ages, we never looked beyond our borders for precedents. As a state court judge, it never would have occurred to me to do so, and when I got to the Supreme Court, it was very much the same. We just didn't do it.
If you take guys who have been off who have had very limited opportunity to work out and train and haven't skated in months, you can't just throw them back into games. Everyone's going to get hurt.
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