A Quote by Kevin Williamson
It's a morality film, and it poses the question 'What would you do?' I took it very seriously, just as the director did in terms of atmosphere and lighting, and I was just trying to help that vision along.
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I remember my very first audition for a film. I was in Seattle. They were taping the session, and I just went crazy. The director finally said, 'Zoe, what are you doing? The camera's right here. Just talk to me.' And it took that director saying that to me to change everything.
I think acting is my destiny. I did my first film when I was just eight. However, I never took that role seriously.
Bruce Lee took his craft very seriously, just as my dad took his stuff very seriously. I just loved Lee's attitude.
I was obsessed with Batman as a kid. I did the film in part just to be near the Batmobile. But I also think [director] Christopher Nolan made a very fine, intelligent film.
It was a period when live TV was just starting and getting popular and they took it seriously too. Not so much like TV now. They did Hemingway and Faulkner - and they’re all wonderful artists and it just was very creative at that time.
Before writing a single note of music, and even before the spotting session, I find it best to sit down with the director and just listen to him or her talk about the film - what they're trying to say, what they want the audience to understand or believe, and a thousand other similar questions. The director has most likely been living with the film for years before a composer is attached, and so the director's inclinations, desires, and understanding of the film are paramount.
When I do a film, usually I work from my director. That's my boss. The director is interpreting the writer's vision, and we all interpret it, and they create their own vision as well.
Also, what I like about it is that the villains in 'Narcos' are not just only the drug dealers, but it also poses the question of what part does the government have in the problem, and the corruption in it? I think it's a very important question to ask as a society.
When I was in my 20s, I was out of control in terms of what I would do to defend my vision. There are black film-makers and storytellers who take a back seat to just get it done. It's good, but it's not right there. It's been compromised.
When I work, I'm just translating the world around me in what seems to be straightforward terms. For my readers, this is sometimes a vision that's not familiar. But I'm not trying to manipulate reality. This is just what I see and hear.
TRUST took as its starting point the question, What would happen if a movie took the character of a teen-age girl seriously?.
On the film where I didn't get along with the director, I just decided to not speak to him.
I believe that the director is really the soul. It is a collaborative effort, but the director is the one who needs to have that vision. It could be a great script, but it starts from there. You need to have good material, at least, but if you don't have someone with vision, it's just words.
Teaching I realized took up a lot of my time. I was a kind of a teacher that spent time with students, spoke to them after class, tried to help them out. I'd talk with them personally about their work and try to get out of them what they were thinking about, forcing them to thinking seriously and not just falling back on all the ideas that they had picked up someplace. And so I took my job teaching very seriously and that - as a result, it took up a lot of time.
I certainly would never overstep my bounds and make suggestions to a director. As an actor I'm trying to fit to the best of my abilities within the director's vision, and trying to find some happy rapport where we can both bring something to it that's fresh. Usually I've been lucky in working with directors who have trusted my instincts.
In terms of morality, we can be very narrowly focused. So convinced of our point of view and righteousness, and it just doesn't allow for circumstance or other people's points of view. It's very comforting because you don't have to self-reflect, you just are. There's a strain of that in American culture.
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