A Quote by Khaled Hosseini
In early 1999, I was watching TV, when I came across a story on Afghanistan. It was a story about the Taliban and the restrictions they were imposing on the Afghan people, most notably women. At some point in the story, there was a casual reference to them having banned the game of kite fighting. This detail struck a personal chord with me, as I had grown up in Kabul flying kite with my friends.
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In March of 2001, I revisited the short story, and found that thought it did not work well as a short story, it might work much better as a longer one. The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.
When I went to Kabul - weeks after I finished 'The Kite Runner' - I met a lot of people from all walks of life: men, women, children, people from ministries, hotel doormen, shopkeepers. And I learned from them what daily life was like when the rockets were flying overhead.
I found myself sitting at the computer, and I thought I was going to write a kind of simple nostalgic story about two boys and their love of kite fighting. But stories have a will of their own, and this one turned out to be this dark tale about betrayal, loss, regret. The short story which was about 25 pages long sat around for a couple of years.
The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.
This is the story of the curse and the kiss, the demon and the girl. It's a love story with dancing and death in it, and singing and souls and shadows reeled out on kite strings.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
People I get the most star-struck by are people I've sort of grown up with watching. So, for example, working with Debby Ryan, when I first met her, I was a bit nervous and a bit star-struck because I had grown up watching her TV shows on the Disney Channel.
A kite can't really fly free,that's just an expression. In order to soar high in the sky the string of a kite needs to be anchored. If the string breaks the kite drops back to the ground. The kite's freedom depends on it not being as free as he thinks it is.
[Flying kite with my friends] is one of the seminal memories of growing up for me.
I believe Fabio Celoni's work vividly brings to life not only the mountains, the bazaars, the city of Kabul and its kite-dotted skies, but also the many struggles, conflicts, and emotional highs and lows of Amir's journey [from the The Kite Runner].
In 2001, we were told that the war in Afghanistan was a feminist mission. The marines were liberating Afghan women from the Taliban. Can you really bomb feminism into a country? And now, after 25 years of brutal war - 10 years against the Soviet occupation, 15 years of US occupation - the Taliban is riding back to Kabul and will soon be back to doing business with the United States.
The story line of my novel [The Kite Runner] is largely fictional. The characters were invented and the plot imagined.
I had written a story. I wrote the story out of some desperation, really, and I didn't know I was writing a story, and it took me years. And when I finished, a friend of mine had the idea that the story should be read as a monologue in a theater.
The Kite Runner is a story of two boys and a father, and the strange love triangle that binds them.
President Trump should appoint a special presidential envoy and empower them to wage an unconventional war against Taliban and Daesh forces, to hold the corrupt officials accountable and to negotiate with their Afghan counterparts and the Afghan Taliban that are willing to reconcile with Kabul.
What I love about the Bible is that it's a group of stories but it's all telling one main story. It's about Jesus Christ. The story is not about me. That takes a lot of the pressure off me, but it also puts the responsibility on me to point people to who the true story is about.
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