A Quote by Khaled Hosseini

Must have been quite the culture shock, going there.” “Yes it was.” Idris doesn’t say that the real culture shock has been in coming back. — © Khaled Hosseini
Must have been quite the culture shock, going there.” “Yes it was.” Idris doesn’t say that the real culture shock has been in coming back.
When I got divorced, it was another culture shock. It was going from this world I had been into since the age of 16 to literally standing on the streets of New York in kind of shock.
Growing up in Bombay made me immune to culture shock, in a way. So, culture shock is not part of my DNA.
Going to Cambridge was a bit of a culture shock, I was a working class lass from Batley who hadn't been anywhere apart from the odd holiday on the Costa Del Sol.
After the stretch of weather we've had, this is going to be a culture shock for some people. We always end up crashing back to reality.
Going there [Japan] in the early 80s was quite a culture shock. I think the bombardment of Shinjuku and all that would have filtered through, which certainly informed things we later filmed.
When I moved from Canada to Korea, I experienced a massive culture shock. I wasn't familiar with Korean culture at all and was very surprised at the hierarchical elements of Korean culture. However, at the time I was determined to succeed so I became a sponge and just soaked in everything I could.
Culture shock is often felt sharply at the borders between countries, but sometimes it doesn't hit fully until you've been in a place for a long time.
Sam Fuller and 'Shock Corridor' can only be conjured as a mantra. 'Shock Corridor' is a classic work of art - it's unique. It comes from the unique experience of being Sam Fuller and yes, there's always that element of 'Shock Corridor' hovering around the picture, but never specifically. In fact, I didn't even screen it because it's in us. It's in me anyway. It's in me. It was a way of conjuring up support just by saying the name, 'Shock Corridor,' as I was going to shoot. Poor Sam [Fuller]...
The NBA is a culture shock for college kids, and even more so for kids from another country. The NBA is a unique environment, so there is going to be transition for any young kid, but I think coming from another country and culture is even harder. It does take a special toughness and confidence to deal with that, especially since a lot of times you don't play a lot as a young player.
Places like India can give you a real culture shock because of the poverty you see, and it brings you up sharply.
Culture does not make people - people make culture. So if it is in fact true that the full humanity of women is not our culture, we must make it our culture. [...] A feminist is a man or a woman who says, 'yes there is a problem with gender as it is today and we must fix it. We must do better.'
In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It's impossible trying to act it; it just happens. It's a very important question: no acting.
Immanence, or complicity, allows the writer to be a kind of shock absorber of the culture: to reflect back its 'whatness,' refracted through the sensibility of his consciousness.
It isn't enough to shock. It's easy to shock. Real surprise is what I'm after.
You experience other cultures to give you a kind of shock that makes you look at your own culture. You appreciate it more as a result of being out of it, but you also realise there are some things lacking in your culture.
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