A Quote by Khaled Hosseini
Literature and film have a way of lifting you from your own existence and transporting you to some foreign place and putting you in the shoes with an experience different than your own.
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Who said you had to fill his shoes? Wear your own shoes. They're bound to fit better. Walk your own path your own way and you'll be more likely to get to where you need to be.
I believe art is utterly important. It is one of the things that could save us. We don't have to rely totally on experience if we can do things in our imagination.... It's the only way in which you can live more lives than your own. You can escape your own time, your own sensibility, your own narrowness of vision.
Theater is such a different ballgame than film. And that's really why I stayed in film, because I really love the reality of connecting with your own feelings, and really putting that across in a realistic way. In film, the smallest muscular movements in your face, that are produced just by sheer feelings, you're not controlling them in anyway, can be seen by people in the audience because your face is sometimes, frighteningly, 40 feet wide!
New York is just an energy. There's a beauty to the way it's laid out: the architecture, the way the planning is. It's huge, but you really do get to experience more than your own existence here. It's kinda hard to isolate yourself from different types of people, different types of ideas or communities.
I love my family and I love my kids, but when the moments come, it's not as though you can just substitute your own life with what you're doing on film. You have to go to some other place where it's bigger than your own life.
The more foreign to me, to my existence, to your core existence, the more foreign the foreign language, it's really moving to me to think, to get to experience my own story crossing those boundaries. To have that experience that I so cherished as a reader. I can't believe this. To me, it's really nice because that would be a thing where I'm like, "There may be lots of Jews in my work. I'm not writing stories for Jews. I'm telling stories about people, and Jews are people, too."
Make your own worlds. Make your own laws. Make your own creations, your own star systems. Don't feel answerable to anyone, or as though you have to create after some preordained model. You don't have to write like myself, or King or Anne Rice: be yourself. Nothing is more wonderful than discovering a new voice, particularly if it happens to be your own.
All of us are in the same place, each with our own rooms, and we were allowed to do whatever we wanted. Which is totally different than college, where they manage your schedule for you. In the NBA, you're on your own.
Sometimes, if you're lucky, someone comes into your life who'll take up a place in your heart that no one else can fill, someone who's tighter than a twin, more with you than your own shadow, who gets deeper under your skin than your own blood and bones.
If you're really going to uncover something as an artist, you're going to come into access with parts of your personality and your psyche that are really uncomfortable to face: your own ambition, your own greed, your own avarice, your own jealousies, and anything that would get in the way of the purity of your own artistic voice.
We're wanting you to come to the place where you're beginning to offer your thought deliberately. Where you are guiding your thoughts on purpose, where you are the creator of your own experience. Because you are the manager of your own thought
There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.
Writing about a place is, of course, one good way of feeling close to it, feeling you have made something out of your interaction with that place. It's like a marker of your own experience, of that time in your life.
Shoes divide men into three classes. Some men wear their father's shoes. They make no decisions of their own. Some are unthinkingly shod by the crowd. The strong man is his own cobbler. He insists on making his own choices. He walks in his own shoes.
Casting is really a black art. It's a huge part of directing and it's the most invisible. It's one that people don't really think about or talk about. But you can really destroy your movie by casting it badly before you've shot a foot of film. And yet there are no guidebooks for it, there's no rule book to tell you how to do it. It's all your own experience and your own sensibility and your own intuition.
That's what acting is all about - it's all about bringing truth from your own life, and putting it into your characters. If you have the advantage of using your own life in your work, that's always the way to go.
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