A Quote by Khaled Hosseini

There [in The Kite Runner] certainly are, as is always the case with fiction, autobiographical elements woven through the narrative. — © Khaled Hosseini
There [in The Kite Runner] certainly are, as is always the case with fiction, autobiographical elements woven through the narrative.
It so happens that the major relationships in the novel [The Kite Runner] are between men, dictated not by any sort of prejudice or discomfort with female characters, but rather by the demands of the narrative.
There is really no fiction or non-fiction; there is only narrative. One mode of perception has no greater claim on the truth than the other; that the distance has perhaps to do with distance - narrative distance - from the characters; it has to do with the kind of voice that is talking, but it certainly hasn't to do with the common distribution between fact and imagination.
I don't view my memory as accurate or static - and, in autobiographical fiction, my focus is still on creating an effect, not on documenting reality - so 'autobiographical,' to me, is closer in meaning to 'fiction' than 'autobiography.'
There are autobiographical elements to the albums, and when I write, I always reference my own life as well as other things, so I'm just like any novelist or any fiction writer who tells stories.
I believe Fabio Celoni's work vividly brings to life not only the mountains, the bazaars, the city of Kabul and its kite-dotted skies, but also the many struggles, conflicts, and emotional highs and lows of Amir's journey [from the The Kite Runner].
I find that most people know what a story is until they sit down to write one. Then they find themselves writing a sketch with an essay woven through it, or an essay with a sketch woven through it, or an editorial with a character in it, or a case history with a moral, or some other mongrel thing.
The old handbook on writing is 'Write what you know.' I come from an autobiographical starting place almost all of the time, but it would be a mistake to presume that I'm not using fiction to extend the narrative.
You can look at my autobiographical pieces as source books... But, you see, my fiction doesn't revolve around autobiographical questions.
Everything is autobiographical, and nothing is autobiographical. That's fiction.
I guess the wildcard here is Terrence Malick. He supervised me while I was writing the script for Beautiful Country, and he is a genius, although not always easy to follow. What I learned from him is that the narrative can be tracked through all kinds of scenes, that the strong narrative thread is not always the one that is most obvious. Creating narrative with Malick was a bit like chasing a butterfly through a jungle. This approach to narrative is fun and complicated, something that makes the process of writing constantly interesting to this writer.
If a painting contains no abstraction nor impressionistic elements, it is a kite that will never fly. But if the painting completely breaks the connection between human feeling and the object portrayed, the kite string has been broken. I try to keep the line unbroken.
Even after The Kite Runner was published I continued to practice for another eighteen months. But I had always had a love of writing and a compulsion to do it.
Whenever I wrote fiction, people always seemed to think that what I wrote was true, that it was entirely autobiographical. And when I would write non-fiction, they often accused me of exaggeration and fictionalization.
The experience of writing 'The Kite Runner' is one I will always think back on with fondness. There is an energy, a romance in writing the first novel that can never be duplicated again.
Fiction always reveals a lot about the person who is writing it. That's the scary thing. Not in a straightforward autobiographical sense. But the flaws in a piece of fiction are, unhappily, so often also the flaws of the writer.
By then The Kite Runner had become quite successful and I found myself in a position that I had always dreamed of my whole life, which was to write for a living.
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