A Quote by Khaled Hosseini

It so happens that the major relationships in the novel [The Kite Runner] are between men, dictated not by any sort of prejudice or discomfort with female characters, but rather by the demands of the narrative.
The story line of my novel [The Kite Runner] is largely fictional. The characters were invented and the plot imagined.
There [in The Kite Runner] certainly are, as is always the case with fiction, autobiographical elements woven through the narrative.
None of the male characters are as powerful or as interesting as the four central female characters. The men work best as representations of the current stage of a particular female’s psyche. The men function as catalysts, and are certainly important to the development of the story, but the relationships are not the goal. I do not see romance as being what’s central to the success of PRETTY LITTLE LIARS.
I think that's true of real life - we don't ever know anyone completely. Secrets are very important to creating a narrative work that's believable. The characters come into that world with secrets, as happens to all of us. As honest as we try to be in our relationships, we can never completely know someone. From a narrative perspective it's very important and pleasing - you want to have those secrets there. The secret is an essential part of the creation of the novel.
The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.
I also felt The Kite Runner was a story that would lend itself well to a visual retelling in a graphic novel.
Dialogue is the ideal means of showing what is between the characters. It crystallizes relationships. It should, ideally, be so effective as to make analysis or explanation of the relationships between the characters unnecessary.
The experience of writing 'The Kite Runner' is one I will always think back on with fondness. There is an energy, a romance in writing the first novel that can never be duplicated again.
Though The Kite Runner was my first completed novel, I had been writing on and off for most of my life, primarily short stories, and primarily for myself.
One book that I just think is absolutely beautiful is 'The Kite Runner.' I'd recommend that one to any and everyone.
You know, whenever women make imaginary female kingdoms in literature, they are always very permissive, to use the jargon word, and easy and generous and self-indulgent, like the relationships between women when there are no men around. They make each other presents, and they have little feasts, and nobody punishes anyone else. This is the female way of going along when there are no men about or when men are not in the ascendant.
Women don't question themselves when they enter into a story that has male characters, but men do question the validity of a female narrative.
I liked the idea of giving Eligible a feminist flavor. While I do think that in Pride and Prejudice, Liz Bennet is very bold, she is also very restricted in terms of what's appropriate for her to do and the ways it's appropriate for her to behave. One of the differences between Pride and Prejudice and Eligible is that my female characters take more initiative in their romantic lives.
I believe Fabio Celoni's work vividly brings to life not only the mountains, the bazaars, the city of Kabul and its kite-dotted skies, but also the many struggles, conflicts, and emotional highs and lows of Amir's journey [from the The Kite Runner].
There's some ambient music that doesn't do anything. I wouldn't say that that's narrative. It is narrative in that it creates a sort of world where nothing happens, where really nothing happens, so you become a different person after hearing eight minutes of exactly the same thing. Yes, I hear music all the time in which one idea is strung together to another idea, and I feel that such music is non-narrative.
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
This site uses cookies to ensure you get the best experience. More info...
Got it!