A Quote by Khaled Hosseini

I also felt The Kite Runner was a story that would lend itself well to a visual retelling in a graphic novel. — © Khaled Hosseini
I also felt The Kite Runner was a story that would lend itself well to a visual retelling in a graphic novel.
A typical twenty-page short story would work quite well as a graphic novel. A single graphic novel of maybe 120 pages would condense down into a short story quite nicely.
In March of 2001, I revisited the short story, and found that thought it did not work well as a short story, it might work much better as a longer one. The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.
The novel [The Kite Runner] came about as an expansion of that original, unpublished short story.
The story line of my novel [The Kite Runner] is largely fictional. The characters were invented and the plot imagined.
I understand the visual media very well, as I used to write comic books for Walt Disney, and I've written a graphic novel. How you carry a story in pictures is different than how you do it in text.
I think with something like 'Watchmen' you can genuinely call that a graphic novel because it has the weight and the intent of a proper novel and it also is the complete story.
I think with something like Watchmen you can genuinely call that a graphic novel because it has the weight and the intent of a proper novel and it also is the complete story.
I understand the visual media very well, as I used to write comic books for Walt Disney, and I've written a graphic novel.
I believe Fabio Celoni's work vividly brings to life not only the mountains, the bazaars, the city of Kabul and its kite-dotted skies, but also the many struggles, conflicts, and emotional highs and lows of Amir's journey [from the The Kite Runner].
The graphic novel? I love comics and so, yes. I don't think we talked about that. We weren't influenced necessarily by graphic novels but we certainly, once the screenplay was done, we talked about the idea that you could continue, you could tell back story, you could do things in sort of a graphic novel world just because we kind of like that world.
Julio's Day is a story of one man's life, but it's a great more than that as well. It's the story of the life of a century, also told as if a day. Beginning with Julio's birth in 1900 and ending with his death in 2000, the graphic novel touches on most of the major events that shaped the 20th century.
The Kite Runner is a story of two boys and a father, and the strange love triangle that binds them.
Fabio Celon did send me pages as he progressed, both in black and white and some color samples as well. It was really exciting to see the sketches and to see the story [The Kite Runner] shaping up visually.
It so happens that the major relationships in the novel [The Kite Runner] are between men, dictated not by any sort of prejudice or discomfort with female characters, but rather by the demands of the narrative.
Though The Kite Runner was my first completed novel, I had been writing on and off for most of my life, primarily short stories, and primarily for myself.
The experience of writing 'The Kite Runner' is one I will always think back on with fondness. There is an energy, a romance in writing the first novel that can never be duplicated again.
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