A Quote by Khaled Hosseini

Laila has moved on. Because in the end she knows that’s all she can do. That and hope. — © Khaled Hosseini
Laila has moved on. Because in the end she knows that’s all she can do. That and hope.
But Laila has decided that she will not be crippled by resentment. Mariam wouldn’t want it that way. ‘What’s the sense?’ she would say with a smile both innocent and wise. ‘What good is it, Laila jo?’ And so Laila has resigned herself to moving on. For her own sake, for Tariq’s, for her children’s. And for Mariam, who still visits Laila in her dreams, who is never more than a breath or two below her consciousness. Laila has moved on. Because in the end she knows that’s all she can do. That and hope.
This season is a lot funnier, not as dark, mainly because, well, she has accepted the fact that she is dead. She knows she cannot go back to where she was when she was alive.
In the coming days and weeks, Laila would scramble frantically to commit it all to memory, what happened next. Like an art lover running out of a burning museum, she would grab whatever she could--a look, a whisper, a moan--to salvage from perishing to preserve. But time is the most unforgiving of fires, and she couldn't, in the end, save it all.
Mom has the Touch. She knows what flowers go with what occasions, what hors d'oeuvres work with what people. She believes passionately in the power of food to heal, restore, and stimulate relationships, and she has built a following of loyal customers who really hope she's right. If she's wrong, says Sonia, no one wants to know. (Thwonk)
I know who Queen Elizabeth represents. I know she's the head of the British state. I know she has all sorts of titles in relation to different regiments in the British army. She knows my history. She knows I was a member of the IRA. She knows I was in conflict with her soldiers, yet both of us were prepared to rise above all of that.
Laila remembered Mammy telling Babi once that she had married a man who had no convictions. Mammy didn't understand. She didn't understand that if she looked into a mirror, she would find the one unfailing conviction of his life looking right back at her.
She goes where she pleases. She appears unhoped for, uncalled for. She moves through doors and walls and windows. Her thoughts move through minds. She enters dreams. She vanishes and is still there. She knows the future and sees through flesh. She is not afraid of anything.
She felt an enveloping happiness to be alive, a joy made stronger by the certainty that someday it would all come to an end. Afterward she felt a little foolish, and never spoke to anyone about it. Now, however, she knows she wasn't being foolish. She realizes that for no particular reason she stumbled into the core of what it is to be human. It's a rare gift to under stand that you life is wondrous, and that it won't last forever.
When you have somebody like Christie Rampone, with the vast experience she has had, you're going to defer to her line because she has played in so many huge games, and she knows what she's talking about.
I connected very much with all the work of Joan Crawford because she started as a flapper. She used to dance and sing and she was very cute. She had something that was so different from what she is at the end of her life and she started in the silent movies and then went into the talkies.
This getting old is something. I think I envy my dog, because my dog is sixteen, and she's limping, and she's still living, but she doesn't look at me like she knows. She's not thinking what I'm thinking. It's a cruel trick that we all know the ending.
She walks away, and I am too stunned to follow her. At the end of the hallways she turns and says, "Have a piece of cake for me, all right? The chocolate. It's delicious." She smiles a strange, twisted smile, and adds," I love you, you know." And then she's gone. I stand alone in the blue light coming from the lamp above me, and I understand: She has been to the compound before. She remembered this hallways. She knows about the initiation process. My mother was a dauntless.
Courage looks you straight in the eye. She is not impressed with power trippers, and she knows first aid. Courage is not afraid to weep, and she is not afraid to pray, even when she is not sure who she is praying to. When she walks it is clear she has made the journey from loneliness to solitude. The people who told me she was stern were not lying. they just forgot to mention she was kind.
I say, 'Yeah, Taylor Swift.' I think she is a smart, beautiful girl. I think she's making all the right moves. She's got a good head on her shoulders. She's surrounded with wonderful people. Her songs are great. She keeps herself anchored. She knows who she is, and she's living and standing by that.
If I was to pick a cartoon character I am most like, I would say Daisy Duck because she is very stubborn, she has a very feminine sense, and she knows what she likes.
I thought Victoria Beckham was going to be one of those pop girls, but she's absolutely the complete opposite. She's a working girl. She knows what she wants. And when she doesn't know, she really prepares herself. I love this working type of women. And she's a girl from - I don't even know where she's from.
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