A Quote by Khaled Hosseini

He had the blue kite in his hands; that was the first thing I saw. And I can't lie now and say my eyes didn't scan it for any rips. — © Khaled Hosseini
He had the blue kite in his hands; that was the first thing I saw. And I can't lie now and say my eyes didn't scan it for any rips.
His steady gaze held hers. His blue eyes were very dark, uniquely so. She had known people before with blue eyes, but they had always been light blue. Will's were the color of the sky just on the edge of night.
You saw me before I saw you. In the airport, that day in August, you had that look in your eyes, as though you wanted something from me, as though you’d wanted it for a long time. No one had ever looked at me like that before, with that kind of intensity. It unsettled me, surprised me, I guess. Those blue, blue eyes, icy blue, looking back at me as if I could warm them up. They’re pretty powerful, you know, those eyes, pretty beautiful, too.
Svengal lay groaning on the turf. His thighs were sheer agony. His buttocks ached. His calf muscles were on fire. Now, afterhe had tumbled off the small pony he was riding and thudded heavily to the turf on the point of his shoulder, the shoulder would hurt too. He concentrated on trying to find one part of his body that wasn't a giant source of pain and failed miserably. He opened his eyes. The first thing he saw was the face of the elderly pony that he had been riding peered down at him. Now what made you do a strange thing like that? The creature seemed to be asking.
Roman Polanski actually said as much to me once. He had his head in his hands, and I said, "Roman, I've got to tell you, as an actor, seeing the director with his head in his hands... Look, I really want to do what you want me to do." And he went away and he came back, having obviously thought about what I said. And he said, "When my head is in my hands, I'm closing my eyes and trying to remember what I saw in my head, before any of the stuff."
I'll never forget the first time I saw someone who had died. It was my grandfather. And I knelt next to his coffin. And all I could do was eye level was look at his hands. They were enormous hands. And all I could think was, 'Those hands dug freedom for me.'
They kissed for the first time then in the cold spring rain, though neither one of them now knew that it was raining. Tristran's heart pounded in his chest as if it was not big enough to contain all the joy that it held. He opened his eyes as he kissed the star. Her sky-blue eyes stared back into his, and in her eyes he could see no parting from her.
I see a few hands stretching out to me at the edge of the net, so I grabbed the first one I could reach and pull myself across. I roll off, and would have fallen face-first onto a wood floor if he had not caught me. "He" is the young man attached to the hand I grabbed. He has a spare upper lip and a full lower lip. His eyes are so deep-set that his eyelashes touch the skin under his eyebrows, and they are dark blue, a dreaming, sleeping, waiting color.
At the core of these movies, Saw One and Saw Two, it's a very real situation. A guy cheats on his wife and didn't value what he had. It's the same thing in my story. Being a dad and playing someone whose last words to his son were 'go to hell'. I say to my son, the last thing I say is 'I love you'.
His eyes are blue, and blue eyes up close are a celestial phenomenon: nebulae as seen through telescopes, the light of unnamed stars diffused through dusts and elements and endlessness. Layers of light. Blue eyes are starlight.
When I first came round in the medical center after my accident, the first face I saw was Ayrton's, with tears in his eyes. I had never seen that with Ayrton before. I just had the impression that he felt as if my accident was like one of his own. He helped me a lot with my career and I can't find the words to describe his loss.
Watch their hands, watch their eyes. Read eyes. No matter what a man is saying to you, it's not as important as what you can read in his eyes. The most important thing a man has to tell you is what he's not telling you; the most important thing he has to say is what he's trying not to say.
I was wondering about my eyes; one of my eyes--the left--saw everything golden and yellow and orange, and the other eye saw shades of blue and grey and green; perhaps one eye was for daylight and the other was for night. If everyone in the world saw different colors from different eyes there might be a great many new colors still to be invented.
Nico di Angelo ran up to me with a big grin on his face. "Percy, this is awesome!" His blue-feathered bronze helmet was falling in his eyes, and his breastplate was about six sizes too big. I wondered if there was any way I'd looked that ridiculous when I'd first arrived.
I went to the park and saw this kid flying a kite. The kid was really excited. I don't know why, that's what they're supposed to do. Now if he had had a chair on the other end of that string, I would have been impressed.
Blue." It was Ronan's voice, for the first time, and everyone, even Helen, twisted their head towards him. His head was cocked in a way that Gansey recognized as dangerous. Something in his eyes was sharp as he stared at Blue. He asked, "Do you know Gansey?" ... Blue looked defensive under their stares. She said reluctantly. "Only his name." With his fingers loosely together, elbows on his knees, Ronan leaned forward across Adam to be closer to Blue. He could be unbelievably threatening. "And how is it," he asked," you came to know Gansey's name?
He Looked and smelt like Autumn's very brother, his face being sunburnt to wheat-colour, his eyes blue as corn-flowers, his sleeves and leggings dyed with fruit-stains, his hands clammy with the sweet juice of apples, his hat sprinkled with pips, and everywhere about him the sweet atmosphere of cider which at its first return each season has such an indescribable fascination for those who have been born and bred among the orchards.
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