A Quote by Khaled Hosseini

For a novelist, it's kind of an onerous burden to represent an entire culture. — © Khaled Hosseini
For a novelist, it's kind of an onerous burden to represent an entire culture.
For a novelist, it’s kind of an onerous burden to represent an entire culture. That said, I’m in a unique position to speak on behalf of Afghanistan on certain issues that I feel are important, particularly the issue of Afghan refugees.
Placing on writers the responsibility to represent a culture is an onerous burden.
When you're a political leader, when you represent the entire state or the entire country, not just Republicans or not just Democrats or not just the poor or not just the rich, you have to really represent everybody. No matter who contributes money, when you win, you represent everyone.
I resist when someone calls me a novelist: it implies some kind of inherent superiority of the novel. I'm not a novelist, I'm a writer.
The strange dilemma of the 'ethnic-fiction' writer is that you are supposed to carry a banner for your homeland, be a voice for it, and educate the rest of the world about it, but I think that's far too onerous a burden for any writer to bear.
Knowledge is a burden if it robs you of innocence. Knowledge is a burden if it is not integrated into life. Knowledge is a burden if it doesn't bring joy. Knowledge is a burden if it gives you an idea that you are wise. Knowledge is a burden if it doesn't set you free. Knowledge is a burden if it makes you feel you are special.
I do feel that I have to use my voice for those that don't have one. I have to do the best I can in my own work to represent my culture, represent the women of my country, of Latin America. What we stand for. What we're made of.
I know that it's axiomatic in the film industry that you're not supposed to let the novelist develop their own story. Well, first of all, that's kind of up to the novelist - because they don't have to sell it. But also, I don't believe it. It's about trust.
My kids say if there's any family dinner that doesn't result in somebody crying, it's not a good dinner. They cry because it helps relieve them of a guilt or some onerous emotional burden. It's like a family tradition.
The introduction of LSD and psychedelics into the culture produced a transformation of the entire culture, the consciousness of the culture.
What I feel most strongly here being in Congress is kind of the burden - the good burden - of representing all of our military.
A house with any kind of age will have dozens of stories to tell. I suppose if a novelist could live long enough, one could base an entire oeuvre on the lives that weave in and out of an antique house.
Libraries are a hallmark of a civilized culture, and librarians represent that culture to all facets of society.
Employees represent an opportunity to inspire not a burden to carry.
The language of the culture also reflects the stories of the culture. One word or simple phrasal labels often describe the story adequately enough in what we have termed culturally common stories. To some extent, the stories of a culture are observable by inspecting the vocabulary of that culture. Often entire stories are embodied in one very culture-specific word. The story words unique to a culture reveal cultural differences.
So overall in the entire economy, the issue is not that health care costs are growing dramatically. The issue is that the burden placed on families is. So just between 2010 and 2016, the cost burden of family private insurance premiums jumped 28%, whereas incomes rose less than 20%.
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