A Quote by Khaled Hosseini

I would like people to have an appreciation for what happened to women under the Taliban, as in 'A Thousand Splendid Suns.' I hope they get a sense of how connected we all are.
How many more people right now feel connected to Mumbai because of Slumdog Millionaire, or suddenly are interested in the plight of orphans on Mumbai after seeing that film? The same thing with the Kite Runner and A Thousand Splendid Suns.
[Kite Runner and A Thousand Splendid Suns] is not just unique to books, but films and music.
I have a particular disdain for Islamic extremism, and of course, in both 'The Kite Runner' and 'A Thousand Splendid Suns' that's obvious.
One could not count the moons that shimmer on her roofs, Or the thousand splendid suns that hide behind her walls.
The key to breaking the Taliban taboo against women and the cultural brainwashing that the Taliban imposed upon many Afghans is to get women back into the workforce.
In 2004, I took a one year sabbatical to finish my second novel, A Thousand Splendid Suns. At the end of that year, I was not done with my book, and had to in effect resign from work. I did. I never went back.
In mid-November 2001, as they moved toward the city of Kandahar, the Taliban's de facto capital in southern Afghanistan, Amerine's team called in airstrikes against advancing Taliban units and more or less obliterated a Taliban column of a thousand men that had been dispatched from Kandahar. It was the Taliban's final play to remain in power.
If you're a gardener, or creating a garden you're clearly looking to the future. You have a sense of your own future and a sense of yourself in that space. People coming here feel that hope, that renewal, and that sense of regeneration. They get their hands dirty and connect back to the ground, which is what we feel strongly about - giving everybody the opportunity to get connected to the earth.
Photography of any living being, according to Taliban rule, was illegal. So when I went to Afghanistan, immediately I was worried about photographing people. But it was what I wanted: to show what life was like under the Taliban, specifically for women.
What everyone underestimated was the acute unpopularity of the Taliban, even in the Pashtun areas. People like myself were saying the Taliban would be driven out very swiftly from the north of Afghanistan, but given that their main support base was in the Pashtun belt, there would be greater resistance there. That didn't happen. The Taliban had become deeply unpopular and were actually discarded by the Pashtun population almost as quickly as they were in the north. I don't see the Taliban coming back in any way.
We need people to be alert and thinking for themselves and connected to each other and connected to that sense of hope and empowerment and radical chutzpah that the founding generation had and intended us to have.
I would hope more people would have optimism about where the Latino has come. How we have emerged, and that there will be more women, women of color especially Latinas who will get involved.
I would not want to be a part of any project that I feel would not work. An actor like me always wants to work to get appreciation of the audiences. And appreciation can only come if people will come to watch the film.
When you say things like, 'We have to wipe out the Taliban,' what does that mean? The Taliban is not a fixed number of people. The Taliban is an ideology that has sprung out of a history that, you know, America created anyway.
The Penguin books are splendid value for sixpence, so splendid that if other publishers had any sense they would combine against them and suppress them.
A thousand laughing suns are in your eyes. A thousand crying stars in mine.
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