A Quote by Khalil Gibran

The song of the voice is sweet, but the song of the heart is the pure voice of heaven. — © Khalil Gibran
The song of the voice is sweet, but the song of the heart is the pure voice of heaven.
The very strength that protects the heart from injury is the strength that prevents the heart from enlarging to its intended greatness within. The song of the voice is sweet, but the song of the heart is the pure voice of heaven.
We learn a language through its song, and even if you don't have music you have the song of people you love's voice, and you'll notice that song in their voice.
The song seraphically free Of taint of personality, So pure that it salutes the suns The voice of one for millions, In whom the millions rejoice For giving their one spirit voice.
I love our industry. I love the song. I love the voice. I love it. Not necessarily my voice. But I care about the song and the voice.
What I love about piano and vocal is it's incredibly pure, and it gets down to the essence of the song because you're not distracted by an orchestra. When it's just a piano and a voice, it's about the purity of singing the song.
The only problem I had on The Voice, was wishing that we, as artists, could have had a stronger opinion in our own song choices. At the end of the day, it's still a vocal competition show and you want to sing the song that showcases your voice the best.
Peter stood, cleared his throat, and began to hum softly, then sing, slowly building up the song as his voice cleared. He found the old tune, the song of the Sunbird. And as he sung, as his rich voice echoed off the tall cliffs, the birds and the faeries lent him their voice and soon the tune drifted throughtout the garden.
I'll meet listeners who tell me what a great voice I have. But I don't have a great voice for radio. My voice is the utterly normal voice, but sheer repetition has made them think it's OK. Mick Jagger once was asked, 'What makes a hit song? He said, 'Repetition.'
When I think about Oz, when he was a teenager, I'm just reminded of what an excellent blues voice he had. He had a large voice. When we did the Aynsley Dunbar song 'Warning' and 'Black Sabbath,' his voice is so right. It's really round, and it has that pain from within in his voice.
But the reality is when you write a song, you should be able to strip away all the instruments and just have a song right there with an acoustic guitar and a voice, and the song should be good.
A verse of Scripture in the morning, may become a blessing for all the day. It may sing in the heart as a sweet song, from morning until evening. It may become a liturgy of prayer in which the soul shall voice its deepest needs and hungers-amid toils, struggles, and cares. It may be a guide through perplexing tangles, Gods voice whispering cheer, a comforter breathing peace in sorrow.
I feel much more physically connected to my voice, and I like the physicality of the voice, and how the voice can physically occupy a song.
They would wake me up when I was sleeping, and say sing a song for our friends. I had a sweet voice, I had a nice little tenor voice. God knows what I sang, but my whole family would admire me.
I still believe that the voice as well as the body express a song together - that's my philosophy of performing a song.
Rather than recallin these flowersthe fragrance of the past,I would like to hear this nightingale's voice,to know if his song is as sweet.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
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