A Quote by Khalil Gibran

The truly just is he who feels half guilty of your misdeeds. — © Khalil Gibran
The truly just is he who feels half guilty of your misdeeds.
The misdeeds of ordinary men can be buried with them, and their lives described in half-truths that are really half-lies. But not a public man. Particularly not this one.
If it's true that every seven years each cell in your body dies and is replaced, then I have truly inherited my life from a dead man; and the misdeeds of those times have been forgiven, and are buried with his bones.
Imagine that half the world is hidden from you. Half of the person sitting across from you has never been appreciated, half of the garden has never been seen or smelled, half of your own life has never been truly witnessed and appraised.
Blot your misdeeds out (if you are particularly conscientious), by a good deed, as soon as you can; just as we did a correct sum at school on the slate, where an incorrect one was only half rubbed out. It was better than wetting our sponge with our tears; both less loss of time where tears had to be waited for, and a better effect at last.
"[Lawyers who file class-action securities suits] is not a group you would want to marry into your family. "That said, more than half the time the people being sued by the Lerach firm are guilty of outrageous conduct. The problem is, they don't mind (suing) the other half. They are an equal opportunity litigator."
A poor American feels guilty at being poor, but less guilty than an American rentier who has inherited wealth but is doing nothingto increase it; what can the latter do but take to drink and psychoanalysis?
People only have guilty pleasures when they crowbar pleasure down their throat all the time and then they reach for the brownies. Then you should feel guilty because you're killing your body and that's something to be guilty about.
There is no creature on earth half so terrifying as a truly just man.
So I was still guilty. And if I was not guilty because one cannot be guilty of betraying a criminal, then I was guilty of having loved a criminal.
That's what noir feels like to me. It feels like some kind of recurring dream, with very strong archetypes operating. You know, the guilty girl being pursued, falling, all kinds of stuff that we see in our dreams all the time
That's what noir feels like to me. It feels like some kind of recurring dream, with very strong archetypes operating. You know, the guilty girl being pursued, falling, all kinds of stuff that we see in our dreams all the time.
A lot of foreign people say, when asking about eating habits, 'What is your guilty pleasure?' I have no guilt. Whatever I do, I enjoy and it's the point. I think if you start to feel guilty about it, that's a problem. So, no guilty pleasures. I have pleasure and no guilt at all.
When you are dancing with your partner, for that two and a half minutes, you are in love with each other. You're corresponding with each other by the moves that you make. It's a love affair, between you and your partner and the music. You feel the music, you feel your partner, she feels you and she feels the music. So there the three of you are together. You've got a triangle, you know. Which one do you love best?
Why all this insistence on the senses? Because in order to convince your reader that he is THERE, you must assault each of his senses, in turn, with color, sound, taste, and texture. If your reader feels the sun on his flesh, the wind fluttering his shirt sleeves, half your fight is won. The most improbable tales can be made believable, if your reader, through his senses, feels certain that he stands at the middle of events. He cannot refuse, then, to participate. The logic of events always gives way to the logic of the senses.
Half of the popcorn sh-t that's out there, we know it's popcorn. But we're like, "It's my guilty pleasure." I feel like we have more guilty pleasure than actual f - kin' pleasure.
A guilty conscience never feels secure.
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