A Quote by Khandi Alexander
I don't like to be pigeonholed; I don't like when people won't see me for something because they don't think I can do it. I always feel like, at least give me the shot.
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I do feel like I owe something, but not to the industry. When you say "industry," I think of a group of people who don't really care much about you and treat you as a commodity. So, in that regard, I don't feel like I owe anything. But the people who've always been supportive of me and have always seen me for my greatest potential-those are the people who I feel like I owe something to. I feel like I am their voice. I owe it them to represent them in a way that they can be proud of.
Because I feel like I can do so many different things, and people like my music for different reasons, I don't feel pigeonholed. I think people are always going to appreciate whatever direction I take.
I think a lot of people feel like they still have something to prove, because when you get in and you're chasing success, you always feel like you have something to prove. But at this point, I feel like an underdog, and I actually like being in that position.
I think that, to a lot of people, they don't like my brand of whatever I do. And I think that people - the ones that like me, at least - see me as their brother or their older uncle or their friend or their next door neighbour. I am the quintessential boy next door; I feel that way.
I feel like I’m broken—like I don’t fit together anymore. Like there’s no more room for me in the world or something. Like I’ve overstayed my welcome here on Earth, and everyone’s trying to give me hints about that constantly. Like I should just check out.
When I'm on the court, I feel at peace, really. It feels like my home. I'm always thinking of something creative to do, like trick shots or something like that. It's just something about the basketball court that touches me; it makes me feel like nothing is wrong on the court.
I'm not always the first person to run out and see something I'm in. I don't know; for me, that's not why I did it. I did it because I wanted to act. I don't really think about the end result. I don't feel like I have to see it - for me, it already happened.
I always look for projects that are risky and ones that want to do something unique. If audiences don't like it, you feel good knowing that you were brave enough to do something original. If they do like it, you feel like everyone is rewarded, because we all got to see something new.
Then you see something like the Gucci advertising and you're like, "Yes!" It gives you confidence because you feel like you're not alone - you don't have to copy it but you can find inspiration. It's not only Gucci; I feel like everything is moving quickly and there's a lot of excitement and turmoil around these designers leaving their brands, but it feels like it's buzzing. There's stuff happening and I feel like it's always exciting when there's movement.
I'm a little more goofy than I think people give me credit for. I like to have fun. I like to have a good time. People don't always get to see that.
I was talking to my publisher, Jamie Ceretta, who's one of my closest confidants and allies when I'm working on new music. I feel like I can always count on his judgement because he'll tell me if he doesn't like something. It's sometimes hard to get people to tell you if they don't like something.
I feel like Nashville has watched me grow up in front of them, which is cool, but it kind of sucks at the same time because you get pigeonholed, like, 'Oh, she's the girl with the long hair that wears fairy dresses.' That was me at one point because I was new and I was young. But we all grow up.
We get angry about the small things sometimes, I feel, so that we feel like we're doing something, so that we don't have to tackle the big things. And it's fine; let people do that. But I'm not gonna now change because of that. You know? Like, the worst thing that happens to me is you don't like me. And then what?
I always try to see it in positive way, like, you know what, the people that are expecting so much about of me know I can do it and believe in me. So I just kind of think about it like that. And it makes me feel a little better.
I always feel like I just wanna go, and that's something that I'm learning every day - understanding to think more instead of just going because I see an advantage or I see that 'oh, I can make this move, I can make this shot.'
I think the fear of humiliating yourself on stage always motivates me to give at least 90 percent. I've definitely been guilty of leaning on the mic stand, but you can only do that so long before you're like, "Jesus, I'm bombing." The fact that people pay to come see me, that's really just out the window.
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