A Quote by Khem Veasna

I read the books, get some, Listen to others, get little but what i get the most is to sit and think. — © Khem Veasna
I read the books, get some, Listen to others, get little but what i get the most is to sit and think.

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I usually wait until I get on the bus, when I'm done with media and I get to sit down and listen to my music and just read through everyone's messages.
Whenever I've gone against my instincts, it's been a bit of a disaster. If there's a script I'm considering, I will get everyone to read it. I will get my mom to read it, I will get my friends to read it, I'll get the person doing my manicure to read it. I'm someone who really needs to talk things through. And then, obviously, I have a wonderful manager and agents, and I listen very carefully to what they have to say as well.
I sometimes listen to music to get into some place that I need to get. I don't think it's because I have a musician as a father that I do this - most actors do.
Bush has not read enough books to have a developed moral sense. The fewer books you read, the easier it is to become fundamental. In some ways my antiwar stand here is also a stand on anti-literacy. Someone should get G.W. into a reading program, get him to join a book club. Have him read Hamlet, King Lear.
If you miss the bus, miss the train, you’d be left behind. So everyone says, let’s get on the train, let’s get on the bus and go faster and get rich... I just didn’t like that kind of lifestyle. I love to read books, to listen to music.
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
I don't sit around going, 'What is the matter with me? What do I have to do to get a hit?' And I don't also sit home and listen to my record every day and get drunk and go, 'Wow, this is great.'
On 'Lab Rats,' I read the script probably three or four times before we ever even do a table read because I want to be completely prepared. And I want to know exactly which beats I have to hit and where I need to make something comical. Some lines need a little more than others do just to get the point across, to get the joke to be funny.
I try to answer all my fan mail. Sometimes I get questions from people who obviously only read the Wiki but haven't read the books. I'm like, 'But you have to read the book or you're not going to get it.'
Read not to contradict and confute; nor to believe and take for granted; nor to find talk and discourse; but to weigh and consider. Some books are to be tasted, others to be swallowed, and some few to be chewed and digested: that is, some books are to be read only in parts, others to be read, but not curiously, and some few to be read wholly, and with diligence and attention.
We listen to a lot of classical and a lot of jazz, and so you get some funky notes here and there. And we get a little experimental in some of the deeper tracks.
I have books I like very much, but I don't think there are any books that everyone should read. I prefer a world in which some people read this, and others read that.
My inspiration for writing is all the wonderful books that I read as a child and that I still read. I think that for those of us who write, when we find a wonderful book written by someone else, we don't really get jealous, we get inspired, and that's kind of the mark of what a good writer is.
I don't expect everyone to get something deep out of it. Some people can just listen to the music, or get their aggressions out, but I think with any great painting or movie, album or whatever it is, it's better if people can take what they need from it. That they're not forced to get some particular message.
I've always loved words. I ate up all the books I could get my hands on, and when I couldn't get books, I read candy wrappers and labels on cereal and toothpaste boxes.
I do like our young talent here, but it needs to get better. And we need some better veterans if we can go out and get them. We all get discouraged by losing. I sit there every game and see the little things that happen and you feel like they cost you games. But the reality is that we are still some time away from being what I hope we can be. And that's going to take some good decision-making on our part.
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