A Quote by Khoi Vinh
I know that what keeps me interested in my job and in the medium in general that what makes every few months more interesting, or newly interesting every few weeks, is the idea that everything is changing, that the ideas that you think are sacrosanct and unimpeachable suddenly are up for grabs again.
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Some people think that my shows are just for shock value, but the provocation makes those classic pieces look different every six months. You don't need to see the same gray suit every season. But surrounding it with 40 really interesting ideas makes it feel new.
A beautiful woman risking everything for a mad passion. A few wild weeks of happiness cut short by a hideous, treacherous crime. Months of voiceless agony, and then a child born in pain. The mother snatched away by death, the boy left to solitude and the tyranny of an old and loveless man. Yes, it was an interesting background. It posed the lad, made him more perfect as it were. Behind every exquisite thing that existed, there was something tragic.
I'm less interested in uniqueness than in goodness. I see so many concerts where the program notes are more interesting than the music. I remember talking to one composer who went through the most complicated mathematical algorithm to generate some material from scratch. It took weeks and weeks, and he came up with a C major chord. For me, honesty is more interesting than originality.
They [the Travelers] know everything about the year that they're coming into. But you can know everything and still be tripped up by the little stuff that you didn't notice. And one character's Facebook page is made up of lies. It's an interesting comment on what's been going on the last few months. We cannot rely anymore on Facebook or Twitter or Instagram. People are making up their own truths.
For me as an audience member, it makes the characters more relatable and interesting if they're evolving and changing - it makes them feel more real in a way. But not every cartoon is trying to be real.
I met my wife in Oxford, fell in love with her, and followed her to New York. I was an illegal there for the first few years, until we got married, so I ended up doing lots of interesting jobs, some for a few days, some for a few months.
I sometimes think how strange it is that I've got to do exactly what I want, and that is difficult to cope with. You have to remind yourself every few weeks: I'm making this film and this is exactly what I want to do. And suddenly you're happy again.
Our struggle is a struggle to redeem the soul of America. It's not a struggle that lasts for a few days, a few weeks, a few months, or a few years. It is the struggle of a lifetime, more than one lifetime.
Well first of all I was nine weeks pregnant at the time and no one knew it. So it was - it had a whole other meaning for me not just because I had to let the dress out, you know, every few days before the actual day. But, you know, because that was the, you know, more important than anything else that was going on in my life. But in terms of actually winning I think I had been nominated four or five times before then. And every one of my co-stars had won up until that point.
It's great to have a job and then go to another one, and have another one to go to after that. It doesn't always happen; you might be waiting a few months. But I've had some interesting roles, and worked with some great people. And it has been a really interesting mix between theatre television and film.
If you take a few days to write an outline, you're just making up scenes that you think will work, that you think will be interesting. But as you write it, other ideas occur - better ideas that have to do with what you're writing.
I know a few women younger than me who have careers and children, and so the burgeoning career and family happen at the same time. A few have said something like, "During dating, he was all about feminism. But now I have to ask him to help with the children, I have to ask him to do the dishes, and every time he does, it's like a favor. Where's the feminist I married?" That's theoretical feminism, not practical feminism. I don't think we're all where we need to be. I don't know if we will be in my lifetime. Life is imperfect. But interesting.
There is often times when I'm in a bar or after a show, and a woman just grabs my head and shoves it into her cleavage, or grabs my ass, or something like that which - don't get me wrong. I'm not complaining, but it's just interesting. It's just interesting that that occurs.
I'm more interested in - I was going to say putting on an interesting show, but then when I think about it, it's more like putting on several interesting shows. I think I'm more interested in doing funny things than calculating how I'll best be received.
It seems to me that every phenomenon, every fact, itself is the really interesting object. Whoever explains it, or connects it with other events, usually only amuses himself or makes sport of us, as, for instance, the naturalist or historian. But a single action or event is interesting, not because it is explainable, but because it is true.
We want to do things that are interesting, great storytelling, some of it is gonna be more fun and funny, some of it is more serious and talking about interesting issues that we think are provocative and interesting to us. Kind of on a more political level. But, you know, just things that we find interesting that we think stories that need to be told.
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