A Quote by Khoudia Diop
I was in Italy on vacation, and I saw my reflection in a mirror. I saw how unique my skin was and why people stop me on the street to ask about it. I started falling in love with it.
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Blake understood. Treated it like a joke, but he understood. He saw the cracks in society, saw the little men in masks trying to hold it together...he saw the true face of the twentieth century and chose to become a reflection of it, a parody of it. No one else saw the joke. That's why he was lonely.
When I saw him look at me with lust, I dropped my eyes but, in glancing away from him, I caught sight of myself in the mirror. And I saw myself, suddenly, as he saw me, my pale face, the way the muscles in my neck stuck out like thin wire. I saw how much that cruel necklace became me. And, for the first time in my innocent and confined life, I sensed in myself a potentiality for corruption that took my breath away.
Flamenco is the reflection of the street. It's that thing that's so beautiful, that comes directly from the people. It has so much truth, tragedy, falling in love, falling out of love, flamenco has it all. You can learn so much, that's why it's so incredible and so beautiful.
I would get so angry whenever I'd notice people looking at me weirdly. They'd even stop me on the street and ask questions about my skin color.
All the kids - well, I don't know about the girls in the family, but all the boys - worked in my grandfather's office in the summers and maybe on weekends once in a while, so they saw how he operated. They saw how he treated people. They saw the kinds of people he rubbed elbows with.
I saw both sides, I saw normality in Switzerland as a kid and later on I saw the insanity of it all in Italy, which almost becomes hard to live with.
I enjoy trolls. They try to shake my confidence and bring me down with such remarks, but they never knew they helped me grow. They saw my curly hair, they saw my dark color, they saw my short stature and they started making memes. I know they can mock my appearance but they cannot claim I am corrupt or talk about my education or my eloquence.
I literally used to stare at my face in the mirror with hate and anger. I'd focus on those gigantic zits and just wail about what a monster I was, how I would never have a career because of my gross skin. I couldn't pass a mirror with out thinking about how hideous my skin was and how I wished I was someone else, someone with perfect skin.
People took notice of me and saw that I can carry off light-hearted roles as well. They started talking about Pritam Vidrohi, and it became a lovable character; I saw that people were clapping and whistling. It was a big high to watch this kind of reaction.
Many of the fights that are going on are not ones that the United States has either started or have a role in. The Shia-- Sunni split, the dictatorships that have suppressed people's aspirations, the increasing globalization without any real safety valve for people to have a better life. We saw that in Egypt. We saw a dictator overthrown, we saw Muslim Brotherhood president installed and then we saw him ousted and the army back.
I had a feeling once about Mathematics - that I saw it all. Depth beyond depth was revealed to me - the Byss and Abyss. I saw - as one might see the transit of Venus or even the Lord Mayor's Show - a quantity passing through infinity and changing its sign from plus to minus. I saw exactly why it happened and why the tergiversation was inevitable but it was after dinner and I let it go.
David Ayer was put on my map, at that point, and I always kept note and clocked his career. When he started directing, I saw Harsh Times, I saw Street Kings and I saw End of Watch. I gave my agents a list of directors that I wanted to work with, and at the top of that list was David. I wanted to have that experience.
Lance Armstrong showed up, and I started talking to him; I saw all these people with cancer who followed him to Paris for the Tour de France, and I saw the difference he was making in their lives. That put it together for me...having it be not so much about me, but [my being] a vehicle for it.
I saw how the Government was run there [in Africa] and I saw where black people were running the banks. I saw, for the first time in my life, a black stewardess walking through a plane and that was quite an inspiration for me.
Television is a sort of mirror of society, but for me, I never saw my reflection in it. Which makes it quite difficult afterwards to open up all the imaginative possibilities.
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
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