A Quote by Kian Lawley

We've already learned a lot about the production process, and we can't wait for our audience to see what we have in store next. — © Kian Lawley
We've already learned a lot about the production process, and we can't wait for our audience to see what we have in store next.
To try to create a character without a whole lot of information can be taxing. At the same time, it's fun to just stay on your toes and let the next bit of dialogue come in, and turn the page as you read the next script and see what they have in store for you next.
But there's an enormous difference between an audience that's watching you because they can't wait to see what comes next and an audience that's watching you because they're waiting for you to fail.
I was in rehearsal and reading the script and I was like, 'Wait, wait, wait, wait. I think I'm related to Data,' which was crazy but that was really cool. Going back to watch' Next Generation' and getting to see Brent doing his thing and just how incredible he was and it was obvious to see why he was such a beloved character.
The Love Dare for Parents really came from an ongoing response from people who went through the couple's book asking us to do the same for children. It's been a long time coming after a couple years doing this. But we're excited that it's now hitting shelves. We learned a lot going through the process of writing it, so we can't wait to see what happens.
I hope I'm the next big thing. We'll just have to wait and see, I guess. I'm sure there are a lot of other 'next big things' coming up. I hope I can stand out as that guy.
I could probably go through our losses in a lot more detail than our wins, all through my career. But you have to be able to move on to what's next, and I'm very process-oriented and next-day oriented.
We've played producers almost our entire lives in everything else we've created. But when working on a feature and even dealing with something like Warner Bros. or another production company, or other details that you can worry about - we definitely learned a lot.
We've played producers almost our entire lives in everything else we've created. But when working on a feature and even dealing with something like Warner Bros. or another production company, or other details that you can worry about - we definitely learned a lot
I think any time you put in a lot of work and you're trying to believe in a process, be dedicated to that one-percent-better mentality, you need to understand you may not see the fruit to your labor tomorrow or the next day or the next week.
When I look out at the audience at some of our shows, I think we are reaching a younger audience... I see lots of people in their 30s and 40s, but I also see a lot of people in their young and middle teens, and that's definitely reassuring.
When I look out at the audience at some of our shows, I think we are reaching a younger audience... I see lots of people in their 30s and 40s, but I also see a lot of people in their young and middle teens, and thats definitely reassuring.
DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that I'd like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.
I learned a lot about my audience and about myself as a performer, what I like to do live.
DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that Id like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.
What is special about the House of Marley is that it's my father's vision that guides our production process.
I may be the only shark who hasn't been on QVC, but I have learned a lot from those folks about what it takes to get a product on store shelves.
This site uses cookies to ensure you get the best experience. More info...
Got it!