A Quote by Kian Lawley
I went from basically filming in my bedroom by myself, filming some funny videos, and then overnight, I switched into filming in some studios and some warehouses and family homes. I started filming with directors and producers and editors, and there were so many people in the room, so it was definitely weird.
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It's a strange thing when someone passes away. It's always when you're not expecting it that you're affected by it. When we first started filming, we were filming with existing characters in a location that we'd never been before.
I realised filming in my own apartment that it was nice to come home and have some space. It worked for 'The Little Paris Kitchen' but now I've learned a lot about TV; you need space for the camera and you want to be mentally sound after filming.
When we were filming 'Twilight,' we didn't expect anything. We were just filming a movie that we wanted the fans to enjoy. And then it kinda just blew into this whole other world.
I've tried watching shows before while I'm filming and it doesn't go good because I binge-watch all night and then I wake up with like one hour of sleep on my filming day.
All I could think of was we were about to start filming for the last final weeks of the TV show and here I am in the hospital, so I missed the final weeks, and a couple days later, sore stomach and all I got on the horse we started filming.
It might sound odd, but filming a soap is closer to acting in a play than filming episodic television.
My family, they're not really that involved in what I do. Career-wise, they're very supportive. They're involved after the fact. I don't tell them anything usually until I'm finished filming it or mid-way through filming it.
While I'm filming, I'm often immersed in the emotions and situations of the character. But when the filming is over, I'm quick to return to my daily life.
We were filming the West Wing on the set one day in DC and Madeleine Albright comes by the set. I mean, when does that happen? You turn around and there's the former Secretary of State just sitting there. After the Clinton administration finished we were filming right outside the White House and John Podesta comes walking up while we're out there filming. Just strolling by the set - the former Chief of Staff! Things like that would happen all the time.
I was so used to documentary filming, where it's one take. You can't really say, 'Make that elephant charge again!' And you talk to the camera. With movie filming, you're talking to someone else.
There was a strange atmosphere on the set because we were filming in this large house, which was used for troubled children. You'd go in and find walls had been burnt down. The building was charged with this history and it stayed with us throughout the filming.
I learn the lines as soon as I can and then the challenge really, for filming, is to show up and be there and respond to what's around you. That's where the gold dust is. It's really strange, no amount of preparation will help you with the magic of spontaneity on the day [of filming].
I haven't done any major filming with a major production company yet, but I've definitely done a lot of filming with a lot of professionals, filmers, and film little edits and put them up online. But I would definitely say that slope style skiers are entertainers as much as they are athletes.
When we began filming, these people had legs, but as we were filming, they had been injured and they were brought to the hospital to have their legs amputated, and that's where we found them and asked them to come and be part of the film.
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That was an amazing time period [ CBGB filming] to transport to during filming - the clothes, the music, the lifestyle - it really helps to get into character when there's so much that changes from the moment you step onto the set.
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