A Quote by Kiana Madeira
There is a moment that often comes to mind when I'm reflecting on filming 'Trinkets.' It was during our second season; there is a scene where Moe, Elodie, and Tabitha are riding scooters on the street at night and just feeling so free and connected to one another.
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It was a strange feeling, filming a night scene in Selly Oak High Street with a television crew and famous actors in tow, when twenty years ago, at that time of night, I would've been stumbling around in search of a kebab.
It's always a great feeling when I have no regrets regarding an audition that I've done and I feel that way about my audition for Moe in 'Trinkets.'
I really wanted to be part of 'Trinkets' and play Moe because there's something very mysterious about her.
What most people don't realize is that in snowboarding, there are two different aspects: the filming side and the competition side. The filming side is when snowboarders spend the entire winter season trying to document the best, most progressive and innovative riding of the year.
We live through myriads of seconds, yet it is always one, just one, that casts our entire inner world into turmoil, the second when (as Stendhal has described it) the internal inflorescence, already steeped in every kind of fluid, condenses and crystallizes—a magical second, like the moment of generation, and like that moment concealed in the warm interior of the individual life, invisible, untouchable, beyond the reach of feeling, a secret experienced alone. No algebra of the mind can calculate it, no alchemy of premonition divine it, and it can seldom perceive itself.
'Everwood' I think provides a unique feeling, an emotional experience. And other shows on TV don't have the acting talent to do that. Each one of our actors can do a serious scene and a humorous scene, and can do it all within the same sequence. They can go from a heartbreaking moment to a humorous moment.
C'mon, Tabitha. You stabbed me the night we met without even blinking. (Valerius) Yeah, but you were a dirtbag then. (Tabitha) I think I'm offended. (Valerius)
Just how many sisters do you have? (Valerius) Eight. (Tabitha) Eight? (Valerius) What? (Tabitha) I'm just pitying whatever poor males lived in that house with all of you. It must have been truly frightening at least one week out of every month. (Valerius) Was that a joke? (Tabitha) Merely a frightening statement of fact. (Valerius)
Tabitha was always trying unorthodox ways to set her up with guys. Although, to be fair to her sister, Tabitha didn't usually knock the guy unconscious before she forced them together. Still, with Tabitha there was a first time for just about anything. And extreme blind-dating was very vintage T.
Looking at a sunset, just for a second you forget your separateness: you are the sunset. That is the moment when you feel the beauty of it. But the moment you say that it is a beautiful sunset, you are no longer feeling it; you have come back to your separate, enclosed entity of the ego. Now the mind is speaking. And this is one of the mysteries, that the mind can speak, and knows nothing; and the heart knows everything, and cannot speak.
We need to improve our public transportation and invest in physical infrastructure changes so that people can safely choose alternatives to driving like walking, riding a bike or even, yes, electric scooters.
In trusting, we let ourselves go. We know that all kinds of unexpected events may come our way. Our tension eases, our mind and our hearts open spontaneously to be possibilities. It is an ever new state of mind, in the present moment, because we have detached from all we know. But it is also a feeling as old as can be, because, before all betrayals and all disappointments, there was a time in which trusting another was the very substance of our life.
I get really excited when I have moments where my head - my mind - disappears, and I get this moment where I start to tingle, and maybe sweat a little bit, when I'm in that space of feeling real connected with everything, every living thing. I first started feeling this probably as a child, but again when I started meditating.
Whenever you're blessed and given a second season, you can really let the characters evolve. That first season, you're setting everything up. It's background, where they're coming from, what they want to do. And then you get to marinate in it that second season.
Any Black person in amerika [sic], if they are being honest with themselves, have got to come to the conclusion that they don't know what it feels like to be free. We aren't free politically, economically, or socially. We have very little power over what happens in our lives. In fact, a Black person isn't free to walk down the street. Walk down the wrong street, in the wrong neighborhood at night, and you know what happens.
There was a moment, late into the season, where I was noticing I was darkening a little bit at night. I was like, 'It will be nice when the show is over for the season. I need a vacation.'
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