A Quote by Kid Cudi

'Gorgeous' was one of those records that, as soon as I heard the beat, I was like, 'Man, this is the one. This is that 'This Can't Be Life' Kanye beat.' — © Kid Cudi
'Gorgeous' was one of those records that, as soon as I heard the beat, I was like, 'Man, this is the one. This is that 'This Can't Be Life' Kanye beat.'
All I really want is a beat from Kanye West. I've met him, and I think he's real cool with us. If I get that beat, I'm going to rap the best verse I ever dropped - even if it's his worst beat.
The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.
As far as hip hop, I ain't even gonna front, it was 'Rapper's Delight.' That was the first thing I heard where I was like, 'Whoa.' You take that beat and do something over it. I started collecting records after that, old records.
You beat him verbally. You beat him mentally, and then finally, you beat him physically. That's the three ways to beat a man.
Without Metallica, I wouldn't be doing what I am doing. I have every Metallica record, of course, and I would spend hours on drums in my parents' basement with the stereo behind me, cranking those records and learning Lars' drum beats, beat by beat.
I need someone to be like, 'I can beat Bert in a marathon.' And then my Mickey Mantle genes will kick in and I'll start going, 'No you can't. You can't beat me, because I'll beat myself.'
A woman can beat any man; it's difficult to imagine another kind of sport where a woman can beat a man. That's why I like chess.
One of my favourite Donald Byrd tracks is 'Think Twice,' and I didn't want to sample it. I've always enjoyed when other people have sampled it, so I wanted to instead of making a beat with it or something like that, or freak the beat of whatever. I wanted to just recreate it in my own way, like how I heard it.
He beat me like he beat the children. Cept he don't never hardly beat them. He say, Celie, git the belt. The children be outside the room peeking through the cracks. It all I can do not to cry. I make myself wood. I say to myself, Celie, you a tree. That's how come I know trees fear man.
When you use a metronome, you'll start to notice where the notes are falling, if they're on the beat, behind the beat, between the beat, and so on.
A black man - I say a black man, we got no corner on the market, but every day in some form or fashion you got to prove you're a man. But you want to keep the life-and-death situations down. I can get beat. But there's getting beat and there's getting stomped.
But yet, but yet, woe, woe unto those who think that the Beat Generation means crime, delinquency, immorality, amorality ... woe unto those who attack it on the grounds that they simply don't understand history and the yearning of human souls ... woe in fact unto those who make evil movies about the Beat Generation where innocent housewives are raped by beatniks! ... woe unto those who spit on the Beat Generation, the wind'll blow it back.
Well, I beat my man. Now it's up to you to beat yours.
I don't like pre-written raps; I think it makes the song better if you listen to the beat first. In a sense, you have to make a marriage with the beat. I ride the beat, hear the flow of the drums, get the melody of my flow, and then from that point, it's a process of what I want to say.
When schools truly become centers of the community, where you have extraordinary teachers, the best teachers, the best principals, great nonprofit partners coming in during the non-school hours to support and do enrichment activities, social services, then those students will beat the odds, will beat poverty, will beat violence in the community, will beat sometimes dysfunctional families, and be productive citizens long term. They will go to college.
The writing process, the way I go about it is I do whatever the beat feels like, whatever the beat is telling me to do. Usually when the beat comes on, I think of a hook or the subject I want to rap about almost instantly. Within four, eight bars of it playing I'm just like, 'Oh, OK. This is what I wanna do'.
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