A Quote by Kid Ink
When I was first introduced to the music business, I learned how to make beats. All my friends rapped, but nobody made beats. So since I didn't do either at the time, I thought it would make more sense and I would be more valuable to the team as the in house producer.
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I never made beats to make beats; I only made them when there was a record to make them for. That's one of the things that has changed in hip-hop that's made me like it less. It feels much more like it's a producer-driven medium, where there are all these tracks that are completely interchangeable.
Nowadays, especially when you think of electronic music, it's like, the producer is mostly the one who makes the music or the beats and everything. But I am more, since I'm that old, when I started to make music the producer was just sitting in the back shouting and drinking beer.
In '96, I was in a very specific place with my own music - I was only listening to beats. You would come to my house, and I would just play beats all day.
Before anything, I wanted to be a rapper. I used to make beats and I would start singing to layer my beats and that's kind of how I realized I could sing.
I made my entire first tape using Beats headphones - the studio headphones and halfway through the second one, because I finally started making a home studio. But I record and make all my beats with the Beats headphones.
Sometimes I go in and try to write beats, but I just trash 'em, and then the next time I go in, I'll make like six beats - six legit, nice beats. I'm really particular with how it needs to sound.
Music was more fitted to my temperament. If you were feeling sad and down in the boxing gym, you'd get hit more than you would on a normal day. If you're feeling sad and down and you're sitting in front of a computer with beats, you might make the best song you've ever made.
Johnny sort of popped into my head midway through the first draft, and he wouldn't leave. But the more I thought about it, the more it made sense. In the first half of the movie, this guy is in the house not doing anything. I really needed an actor who's inventive and who will make enough idiosyncratic choices to make it entertaining to watch. And let's face it, Johnny Depp could make a nap interesting to watch.
I started spinning house and R&B. I was taught how to DJ from house producers, so it was mostly house music in the beginning. But then sometimes people can get a little tired of hearing the same four-four beats all the time, so if you throw a little R&B in there as well, it gives people a little breather. That's the way I was DJing then when I learned how to spin. That was my introduction to house music in general, which was eye opening for sure.
Hip-hop has survived as a sonic practice more than anything else. It's an approach to music-making based in sampling and rhyming over beats, that's proven far more versatile than its detractors thought it would.
How can you build a relationship when you're just sending out beats? Most people will come in and play their beats, but I like to make mine on the spot.
I definitely feel excited to be able to put really hard beats - like hip-hop beats - behind my music, more than I did before.
I started off as a recording engineer and a beatmaker. I was this skater kid that would skateboard to auditions, and then I would use the money I'd make and buy a bunch of equipment and make a bunch of beats. I still am that kid, just with a little more money.
Sometimes you're with a producer who just makes beats and you can kinda do your thing to whatever beats they come up with. But sometimes you get with a producer who really produces you and the music together, not just the beat then you can kinda throw in your ideas and vibe off each other.
The addition of Beats will make our music lineup even better, from free streaming with iTunes Radio to a world-class subscription service in Beats, and of course buying music from the iTunes Store as customers have loved to do for years.
There was a long time in my life where I made music that I thought my friends would like, or that I thought would get me a record deal, or what I thought I was supposed to make because that's what I was seeing in mainstream. I didn't know myself; I didn't find myself musically or, in real life.
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