A Quote by Kid Ink
I wrote and concepted 99% of the ideas for Crash Landing and we reached out to a lot of different popular producers like Jahlil, KE, Kajmir Royale, Hit-Boy etc.
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It's okay to be kind of looking for what you want and trying out all kinds of different ideas and different course work, etc.
I've worked with a lot of different producers, a lot of different writers on the album, so I mostly feel like I learned a lot about what I don't want to do the next time around.
A lot of producers get famous because they decide to be superstars for their own reasons, but I'm inspired by Timbaland and Pharrell and Swizz Beatz 'cause they're doing things that are so different. I like how they're introducing ideas I never would have thought of.
'Dear Mr. Henshaw' came about because two different boys from different parts of the country asked me to write a book about a boy whose parents were divorced, and so I wrote 'Dear Mr. Henshaw,' and it won the Newbery, and I was - it's been very popular.
I used to be much heavier when I first started out acting and did a lot of crash dieting and a lot of crash exercise - a ton for a month before you burned out. Then I made a decision in my twenties to only do things that I can do for life, so everything's kind of in moderation for me.
Well, most of my sessions have been with Hit-Boy and London, so I haven't had the opportunity to really vibe a lot in person with the other producers. But they're super open to experimenting and taking direction really well and they have good energy.
I'm not signing on to direct 'Black Panther.' I think I'll just say we had different ideas about what the story would be. Marvel has a certain way of doing things, and I think they're fantastic, and a lot of people love what they do. I loved that they reached out to me.
I'm popular in the United States and I'm popular in England. England is just more concentrated. The people are closer together. Venues are closer together. Many albums of mine have been popular in England, but, no hit singles. All the hit singles I had were before I went to England. So, I'm not necessarily more popular in England, I'm just popular in England, and more so for my performances than hit records. But, I enjoy doing concert halls all over America, England, Scotland and Australia.
I like to write without being stoned. I like to have a hit or two and then go punch up the writing. I just see different things and hear different things. But it's nice to be working from the base that I wrote originally and then come to it with a little buzz. I can have a little wine from time to time. I have a hit from time to time, but those are the only things I do.
Derek lunged. He hit me in the shoulder and knocked me to the floor, landing on top of me. His body jerked, like he'd been hit with the spell, and I let out a yelp, struggling to get up, but he held me down, whispering "I'm okay, it's okay" until the words penetrated.
I feel like my music has so many different things going on. I've always worked with many different producers. And a lot of times, each of them has a different thing that I really love about what they do.
What's the point of hitting pads, landing 10,000 punches, and then landing punches that are soft as feathers in the fight? I hit hard.
All girls hit that phase where they like the bad boy. I grew out of that really young and I have a wonderful guy in my life who's not a bad boy at all. I like the satiric, consistent nice guy.
Premier was one of the first producers that we reached out to, and he was like, 'Hell yeah! Let's get to work.' He was showing us love and giving young, new artists a chance.
With 'Light,' I collaborated with a lot of different producers and musicians I respected, and we all wrote and worked on material which I then took to an old-school producer, David Kahne, and we put it all together. The lyrics came first - they were written before the music.
Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.
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