A Quote by Kid Rock

The Majestic Theater in 1990. That was one of my first real shows where I had 300 to 400 people there. — © Kid Rock
The Majestic Theater in 1990. That was one of my first real shows where I had 300 to 400 people there.
Practically every movie that shows the pope or even a bishop as a character, and in much of western literature of the last 300 or 400 years, these are portrayed as awful figures.
I took my wife to a really expensive hotel in Dubai. This was when we were first dating, so I wanted to impress her. I had scallops, and after that, I went to the bathroom to be sick. I realised I had just paid £300 or £400 on scallops just to throw it up. My wife and I then talked about it; I knew I had a problem.
I had parties in church halls. My mama knew people that had venues and all that, and I knew a lot of people from forever. I was always popular growing up. She used to get me the spots, and I used to have parties. Probably about 300, 400 people.
When Emily Dickinson's poems were published in the 1890s, they were a best-seller; the first book of her poems went through eleven editions of a print run of about 400. So the first print run out of Boston for a first book of poems was 400 for a country that had fifty million people in it. Now a first print run for a first book is maybe 2,000? So that's a five-time increase in the expectation of readership. Probably the audience is almost exactly the same size as it was in 1900, if you just took that one example.
We did 300 shows in our first two years.
In 1990 there were about 300 scripts being written demanding the release of Nelson Mandela. And suddenly we watched Mandela walking out of prison. So those scripts had to be destroyed.
I remember the first show I had there were about 3 people, at least there was somebody. The next one was about 30. Then a couple years later there were 300 people and before I knew it there were 3,000... Then one day, I opened my eyes and there were 300,000 singing all my lyrics.
I had begun my professional career when I was 9 years old at the Cleveland Play House, and it was a very specific, real theater sort of like, you know, in England and the Berliner Ensemble - very devoted people. And I thought the theater was the greatest place I had ever been, and that's what I wanted to do.
If anyone saw Fall Out Boy's first 400 shows, we were the worst band of all time.
We know that for the last 300 or 400 years, the size of human bodies is growing. Now what happened is that we suddenly, in history, have the backward process. We have these great Greek athletes, we have ultra-powerful Roman soldiers. You look at the size of the Roman soldier who has to carry all this ammunition. You're talking about 300,000 Arnold Schwartzeneggers.
There's always a mismatch. I mean, you know, as the economy evolves, it reallocates resources. Now, the real problem, in my view, is - this has been - the prosperity has been unbelievable for the extremely rich people. If you go to 1982, when Forbes put on their first 400 list, those people had $93 billion. They now they have $2.4 trillion, 25 for one. That is - this has been a prosperity that's been disproportionately rewarding to the people on top.
Every year we close 300-400 stores anyway, just relocations.
Although I performed in high school, my first real experience with theater was performing with a student-run organization at Vanderbilt University called The Original Cast where I learned that I loved performing and especially loved theater people.
I'm not Kathy Griffin. I can't do 1200 seat venues. I need 300, 400 something like that.
I had already played a lead on Broadway before I ever did a film. I had had three, four seasons of stock with good, fat parts, good supporting and leading parts. And I had done, oh, God, over 400 live TV shows.
I think people have an appetite for VR at $200, $300, $400. It's something so new and improves so quickly, people do have an appetite to buy that. If people are getting a new VR headset every two or three years that's incredibly improved, you want to go do that.
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