A Quote by Kiefer Sutherland
Were kind of in our own cocoon making it. Every once in a while you stick your head up for a second, and you just cant believe how successful the show has become.
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We [comics] create our own reality on the show. I'm in a cocoon of the character's creation. Even within that reality, he's in a cocoon. While I'm an improviser and enjoy discovery, the show follows a script. I have a pretty good idea what's going to happen. It's a very crafted, controlled environment.
When you shoot a scene, you remember every moment. You remember when your head went down, your head went up. You don't see little quirks, little eye movements, little lip movements. Once again, you become completely vain when you're watching it in a way that you weren't when you were shooting it. And the vanity, what it makes you focus on are everything that has nothing to do with the scene and everything to do with your own ego.
We're drawn to making our mark, leaving a record to show we were here, and a journal is a great place to do it. Once you start drawing, writing, and gluing stuff in every day, it can quickly become a habit - addictive, even. Your attitude should be: 'I can do this, but I mustn't make it too intimidating.'
Storyboards are kind of inflexible, once you finish making them you have to stick to them. Since animation takes such a long time you become a slave to a storyboard that was created four years ago while as an artist and storyteller you change, you have new ideas.
In your cocoon, occasionally you shout complaints, such as, "Leave me alone!" "Bug off!" "I want to be who I am!"... which comes from fighting against your environment... You can raise your head and just take a little peek out of the cocoon... The environment is friendly. It is called "Planet Earth.
We have to do what I would call anomalies: we have to look for strange things that show up once in a while. They don't show up all the time. We have to be scanning the horizon, and doing that, once in a while something will show up that makes a lot of sense, and then you act on it.
A lot of times when you're making a record, you put your head down and charge forward until you're done. You just hope that the ideas hold up, because you're kind of lost in your own storm.
The key to your happiness is to own your slippers, own who you are, own how you look, own your family, own the talents you have, and own the ones you don't. If you keep saying your slippers aren't yours, then you'll die searching, you'll die bitter, always feeling you were promised more. Not only our actions, but also our omissions, become our destiny.
I always believe that if you stick with quality and give people a chance at the time, that people eventually get on board with it. It's been my experience more than not. Once in a while, there's a show that you just can't seem to break through on.
A bean bag is a perfect place to sulk. You can sink way down deep, and sulk for hours... You only have to stick your head up once in a while... to see if anybody cares.
We tried to do a show once every three weeks to a month. We'd always do a new show. It was not successful. It did not become the Matt & Ben show, but it taught me what I like to do as an actor and what I like to do comedically.
If we just stick to one kind of music, our creativity is limited. We wanted to extend the audience for the cello, especially the younger people, and to show them how cool and how powerful and how diverse the cello can be.
Once in a while, I played second base; once in a while, outfield. But those were just pickup games and softball leagues. So when I bought the Yankees, I tried to stay one pace ahead of the players.
Most lives are a flight from selfhood. Most prefer the truths of the stable. You stick your head into the stanchions and munch contentedly until you die. Others use you for their purposes. Not once do you look outside the stable to lift your head and be your own creature.
I want to be successful. Not just money. Just making a successful record and a successful show... I could feel successful without selling a million records.
I think my iTunes is a kind of strange and embarrassing mix of show tunes and artists that I have no perception of whether or not they're huge or not, you know? I'm the kind of person who doesn't realize that The Arcade Fire is a big deal, but then I expect everybody to know Cocoon, and people tend to not know Cocoon.
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