A Quote by Kiefer Sutherland
The writers keep managing to turn the show in on itself, coming up with something that's well thought-out and miraculous.
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I've been known to turn up drunk at triathlons and do very well. I'm more of a heat-of-the-moment type of guy. A friend will tell me about something coming up, maybe that weekend, and usually not an abundance of thought goes into my doing it.
There have been so many times over the years where people have said "Man, I thought I was just coming to this deal to get a little handier with my horse" and I'll say "Well, in the beginning, I thought that's all you were coming for too. But it turns out it's about something else."
Only you and I can help the sun rise each coming morning. If we don't, it may drench itself out in sorrow. You special, miraculous, unrepeatable, fragile, fearful, tender, lost, sparkling ruby emerald jewel, rainbow splendor person. It's up to you.
It's a huge assortment that we have under our roof and I don't know, it's just managing a taste level and execution of a vision. I think our team does as incredible job at it but it takes incredible leadership and I'm only really a spark for all of that. I'm not out there at every trade show, and so having an amazing team that can keep that vision month after month and keep the assortment consistent is a huge challenge. But something I think we execute every well.
Shakespearean words, foreign words, slang and dialect and made-up phrases from kids on the street corner: English has room for them all. And writers - not just literary writers, but popular writers as well - breathe air into English and keep it lively by making it their own, not by adhering to some style manual that gets handed out to college Freshmen in a composition class.
I know the difference between someone coming up to you on the street and saying, 'Hey, you're that dude, right. Yes, that's what I thought,' and somebody coming up and saying, 'Big fan of the show. Big fan of that character.' And that's nice. You're out there telling stories, you're hoping to find an audience, and it's very appreciated.
My secret skill, if it even counts as one, is saying really crass things that sometimes end up as dialogue coming from other character's mouths. My inner salty sailor is alive and well - the only problem is most of the writers on our show are just as inappropriate, so at the end of the day, it's hard to tell who came up with the line.
When I came out, I thought coming out meant giving up a marriage and a family. That was, to me, the most difficult part of the coming-out process.
I dedicated my 20s, my passion and energy to the name 'Rain.' I always did my best, and I thought if I did, it would eventually show, and even if it didn't turn out well, I wouldn't have any regrets.
I do voiceovers, but being on-camera and selling something? I wasn't really interested. And then I thought, well, wait a minute. Everybody's selling something. When you turn on the tube... And then if you go to Europe or Asia, everyone is selling something. All the guys that don't want to be seen selling something here are selling something there. So I thought what the hell?
Many people worry so much about managing their careers, but rarely spend half that much energy managing their LIVES. I want to make my life, not just my job, the best it can be. The rest will work itself out.
In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.
When you put a new show out, you always have a few kinks that you need to iron out, and you need to dial your show in. You figure out over a couple of weeks what songs work well together and what songs may not have the impact you thought they would at that spot in the show.
But this is Miami, you can't come to Miami and not show any skin. You gotta show something. If you're all covered up in this heat, you're gonna make me pass out out just to look at you. It's sweaty in Miami-but the diamonds will keep me cool.
But this is Miami, you can't come to Miami and not show any skin. You gotta show something. If you're all covered up in this heat, you're gonna make me pass out out just to look at you. It's sweaty in Miami - but the diamonds will keep me cool.
The show is coming from the music. I get on the stage with the band, and I communicate with my musicians, and the music that we create and all that is coming out of us. The music is making the show and the music is creating the atmosphere, so if you close your eyes and listen and feel what it is that's coming out of the speakers, that's the whole point.
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