A Quote by Kiefer Sutherland

When I started, with films like 'The Bay Boy' and 'Stand by Me', I look back on those interviews and I'm amazed; there's no mention of my father; it's not even 'son of Donald Sutherland.' I caught a bit of a break in that it never felt like a weight to me.
When I read 'Stand By Me,' it was like, 'This is a look back at the same time period when I was growing up, and it was about kids, but it really felt like what it was like to have those powerful feelings of friendship at age 12.' That's what got to me.
Before I had a son, I used to look at my father's example: he left me, he left my mother. When I had a son, I got caught in the same situation that his mother don't want me to see him. I started looking at my father in a different light.
Back when I first started with Scandal, I felt like I had to carry a lot of the weight because it was up to me to sell those songs.
I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again.
Now for me, you're the irreplaceable one: I've never see you up so close before, and I do not understand you at all. You say sometimes I act like I don't see you? I don't even know where to look! Living with you around is like is like living with a permanent dazzle. The fact that you even like me, or look at me, or brush by me, or hug me, or hold me, is so surprising that after it's over I have to go back through it a dozen times in my head to savor it and try and figure out what it was like because I was too busy being astounded while it was happening.
I've always just felt like an outsider. I've always been made fun of in school ever since kindergarten. For me, when I started singing, that's when I started making "friends,". That's when people started taking an interest in me. That was the thing that made me likable, I guess. Maybe even lovable! I think that's really why I'm so hellbent on doing this as a career is because those are the moments where I felt at my most confident.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
You could be my son. You even look like me a little bit... Say, who's your mother?
I've never really felt like a veteran. I've never felt like the guy who's like, 'OK, everyone needs to look up to me and respect me.' I've always just been one of the guys that people are excited to get in the ring with. That's all I want.
And stop doing that,” he said. “Backing away, giving me that look.” Like you’re scaring me? Maybe you are.” He stepped back so fast he wobbled and caught himself, and the look on his face—It vanished in a second, the scowl returning. I’d never hurt you, Chloe. You should know—” He stopped. Paused. Then wheeled and started walking away. “Next time? Handle it yourself. I’m done taking care of you.
What surprises me is-even though discrimination against women and racial discrimination still exist, they have improved a lot, especially among artists. And just when I felt I could finally take a break, I encounter the age discrimination. I turned 72 and started noticing a drastic difference in people's attitudes. I started with racism and sexism in the beginning and fought them so hard and was finally ready to relax. Then, here comes ageism, and I feel like, "Give me a break!"
Being a full-time musician back before I had my son, it was sort of too much 'me' all the time. I felt like a bit of a narcissist, always doing just my art - even though I feel like artists are doing a service as well. I needed something a little more literal, instead of writing music and hoping people enjoyed it.
I too was frightened the first time I felt I hated my father. I felt like a criminal. But could I help it what was inside of me? I had to feel what I felt even if it killed me.
My father never got films to our dinner table. It was never the case with us as well that our father works in films, and we know so many actors. It was like him going to work like any other father. In fact, my school friends would ask me if I have met a certain actor, and I would tell them that I haven't, which they found strange.
My dad treated me like a boy because he grew up with four brothers. He didn't baby me. He was never, like, "You're a girl, you can't do this." I never felt like I had to put a feminine spin on anything, I just wanted to do what the boys did as good or better.
'East of Eden' is an important story for me. It's about a kid that's misunderstood and feels like he's not loved by his father. It's a very father-son kind of story, and it's not until the end that they sort of make up. I like that because every boy has trouble with his father, so it's very relatable.
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