A Quote by Kiefer Sutherland

When I saw Virginia Woolf, somewhere between the first and second acts, someone I had known as my mother became somebody else. — © Kiefer Sutherland
When I saw Virginia Woolf, somewhere between the first and second acts, someone I had known as my mother became somebody else.
When I saw what painting had done in the last thirty years, what literature had done - people like Joyce and Virginia Woolf, Faulkner and Hemingway - in France we have Nathalie Sarraute - and paintings became so strongly contemporary while cinema was just following the path of theater. I have to do something which relates with my time, and in my time, we make things differently.
Think of Virginia Woolf, 'A Room of One's Own' - that's what women have always needed under patriarchy and can't be creative without. They took away my classroom and my status to teach, and now they have taken away my office, and all of it is giving the message that Virginia Woolf and I are losing what I call 'womenspace.'
I woke up full of hate and fear the day before the most recent peace march in San Francisco. This was disappointing: I'd hoped to wake up feeling somewhere between Virginia Woolf and Wavy Gravy.
Virginia Woolf's writing is no more than glamorous knitting. I believe she must have a pattern somewhere.
This person, this self, this me, finally, was made somewhere else. Everything had come from somewhere else, and it would all go somewhere else. I was nothing but a pathway for the person known as me.
At Princeton I wrote my junior paper on Virginia Woolf, and for my senior thesis I wrote on Samuel Beckett. I wrote some about "Between the Acts" and "Mrs. Dalloway'' but mostly about "To the Lighthouse." With Beckett I focused, perversely, on his novels, "Molloy," "Malone Dies," and "The Unnamable." That's when I decided I should never write again.
I hadn’t had a mother since I was two, and from then until seven I had believed God was someone who had run off with her and was living with her somewhere else... (God took your mother, dear, because he needed her more than you do) which had never endeared him to me
Each had his past shut in him like the leaves of a book known to him by heart; and his friends could only read the title. - Virginia Woolf, from Jacob's Room Television is chewing gum for the eyes.
I barely saw my mother, and the mom I saw was often angry and unhappy. The mother I grew up with is not the mother I know now. It's not the mother she became after my father died, and that's been the greatest prize of my life.
She had thought she was going to save her mother, and now there was going to be nothing for her to do but sit by her mother's bedside, hold her limp hand, and home someone else, somewhere else, would be able to do what she couldn't.
As I saw my 60th birthday approaching, I thought,What did 60 mean to me? I figured I'd probably live until I'm about 90, which meant that I was at the beginning of what I call my third act. As an actress, I know how important the third act is. It makes sense of the first and second acts. You can have first and second acts that are interesting, but you don't know what they mean. Then a good third act pulls it all together. And so I knew that, because I sat by my father's side over the long months when he was dying.
The new environment dictates two rules: first, everything happens faster; second, anything that can be done will be done, if not by you, then by someone else, somewhere.
I love reading other people's diaries, especially someone like Virginia Woolf's - such a formidable woman that it's a revelation when she shows you a more vulnerable side of herself.
I think the kind of unexpected I really love is when you open books and the actual way of writing is different and interesting. Like reading Virginia Woolf for the first time or Lawrence Durrell for the first time.
If someone from Germany or somewhere, who had no idea what baseball was, saw Kruk play, he'd wonder what the beer truck driver was doing playing first base.
There's room for everyone, and everyone is wanted and needed. Whoopi showed me that. When I first saw 'The Color Purple,' it was so huge. That was the first time I had seen myself, my mother, my aunts, women that I had known my whole life on-screen. It gives us hope, and it gives us confidence.
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