A Quote by Kiefer Sutherland
I'm a huge fan of Canadian rock-and-roll. When I was growing up, Rush came out with a record called Hemispheres, and I must have listened to that record for two years straight. Even when I was asleep I had it on. So, yeah, whenever I hear a Rush tune, the first thing I think of is Toronto.
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Growing up, I was a giant KISS fan, and the truth is the record I had was 'Rock and Roll Over,' and there wasn't even a clear picture of them in the packaging! So I really had no idea what they looked like; I just loved their music.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
There's all these musicians in the world, and anybody that takes enough time to create a record or even think about the fantasy of rock & roll, it's a vulnerable place to be in, it's a huge thing to do.
My first record I ever got was 'Full Moon Fever.' My dad gave me a copy when I was maybe nine years old or something. And I listened to the heck out of that record. I loved that record.
There's all these musicians in the world, and anybody that takes enough time to create a record or even think about the fantasy of rock & roll, I mean, it's a really vulnerable place to be in. It's a huge thing to do.
Even though Rush is not me and the situations were very different, I think, in the Rush Limbaugh thing, ESPN was criticized for not acting, and you remember that after a couple days of controversy over Rush.
I had my own booth at Fan Fair when I was 9 or 10 years old. I made a little record and I had a manager in Missouri, so we came up to Fan Fair to sell those records and try to get me a record deal. Clearly it wasn't meant to be at 10 years old, but my memory is that I went to use the bathroom, and I met Sylvia. I was in shock.
But yeah, it's funny because I used to talk so fast before 'Gilmore Girls' and it took me several years of auditioning and being comfortable in auditions to sort of take my time because I would just go into it and rush, rush, rush.
My first vinyl was a Kiss record and a Walt Disney record. I liked the energy of rock and roll.
When you hear the melodic structures of what classical musicians put together and you compare it to that of a rock & roll record, there's a hell of a long way rock & roll has to go.
I was just thinking of Rush. I went to see Rush a few years ago, because my record label guy in the States really wanted to go. We had crazy good seats. It was fascinating watching the crowd - mostly men - who were so moved by these really esoteric lyrics. I don't know Neil Peart's lyrics super well, but they're not that straightforward to me.
Yeah, I was born in Montreal and I go back to Vancouver and Toronto a lot, so I have a sense of being Canadian, and I was raised by two Canadians, and my wife is Canadian, so yeah, I feel it.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
To make a live record - something that has a lot of life in it - is difficult. After slaving away for years in the studio, when I hear a No Age record or when I hear Yeah Yeah Yeahs' first EP or when I hear DRI or really early punk stuff, it's just so powerful, so raw - and I know how hard that is to create. It's very deceptive. It's like a Dardenne brothers film - it seems like just a handheld camera following some people around in a trailer park, but it's incredibly difficult to do that.
I had absolute freedom to create things on my own and in silence. No rush, the artificial rush by media. Certainly no rush to grow up. We had plenty of boyhood, plenty of girlhood.
The idea that somebody out there is that eager to hear my music in advance can only be a good thing. But growing up, I always liked that system where "release day" was a big thing, and for bands I really liked, I'd know that date. It'd be on my calendar, and I'd go to the record store that day. Sitting down and listening to the record for the first time was a real event. I wish it was still that way, but that's not the way the world works any more.
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