A Quote by Kiele Sanchez

I know with me, you really have to, like, pound me over the head to say, 'I like you. I really like you' to get me to see it. I think if you're too passive, you just fall into that friend role. And that's hard to break out of.
Now for me, you're the irreplaceable one: I've never see you up so close before, and I do not understand you at all. You say sometimes I act like I don't see you? I don't even know where to look! Living with you around is like is like living with a permanent dazzle. The fact that you even like me, or look at me, or brush by me, or hug me, or hold me, is so surprising that after it's over I have to go back through it a dozen times in my head to savor it and try and figure out what it was like because I was too busy being astounded while it was happening.
A lot of people say to me, 'Stay grounded; be humble.' David Schwimmer was just like, 'You need to love what you do.' And I think that's really nice. Just love your work. My family has given me great advice saying, you know, 'Don't work too hard.' And it's really nice to have someone like that - you know that they love you.
Kids will tell me 'oh I want to be like you when I grow up,' you know. I just thought 'nah, don't be like me, be like you,' because first of all they don't really know me but second of all I understand what they're trying to say but I just let them know - be like you.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
I don't know how much of a natural human I am. Y'know, the truth is, I never set out to do that, and I don't think of myself like that. I don't think like that. It's not really about promotion - I don't really understand the idea of promotion, talking to a camera for more money. That's just money. And I like money, don't get me wrong. I don't know. I don't get it. I don't understand it as much as you don't understand me, I think.
No one really knows what I'm really like, and you won't unless you spend a day with me, or if you're my friend. No one ever knows what anyone is really like. Read all the interviews you want on them, it's just the media talking and you can't really get to know someone that way, obviously.
You make me smile like the sun, fall out bed, sing like a bird, dizzy in my head. Spin like a record crazy on a sunday night. You make me dance like a fool, forget how to breath, shine like the sun buzz like a bee, just the thought of you can drive me wild. Oh you make me smile.
I think it's really important that we get an experienced staff. Guys that have been a head coach, to me, at some level is important to me. I value head coaching just because it's good to know what it's like to be the decision maker.
So many interviews, even ones that I consider really intelligent and good writers, will do the, like, 'Oh, you're not taking your clothes off like Miley Cyrus and all these girls' thing, which to me is just the weirdest thing to say to someone. ... Now when people are like, 'Tell me what you think of Miley!' I'll say, 'What do you think of Miley?' and they'll flounder and say, 'Well, I think she's really talented...' and I'm like, there you go.
I often feel like I could fall off the face of the Earth. As long as 'Mama' was around, nobody would really miss me. People really think of her as an actual person. People all the time see me and ask, 'Where's Mama?' Like she should be with me.
I just really like ground and pound. The way I do it, it looks like I'm just throwing bombs, but there's some technique to it too. I make sure I'm controlling the hips, palming his face to the ground, just little things like this that make sure that the ground and pound works and I'm not letting him tie me up to where I can't throw punches.
There's still a part of me that thinks I have to write a really good novel. I'm not trying to say I'm not happy with the novels I've written in the past. But it always feels to me like there's another one that I have to write that will really say what I want to say, and really paint this world that I can see hazily in my head.
It's really hard to find things that are worth leaving them for. [Balancing work and motherhood is] really hard. One night in Nashville, my son was screaming with a terrible stomachache. I was like, 'I have to get out of here!' but we had to finish. My friend Jenno, a mother of three who was producing, was great, reminding me that nine times out of 10, they just have gas.
I'm not like hurting by any means, but I'm not really, you know, let me say, I'm not really cool with doing fighting just to break even.
I'm not very good at sounding like other people. When you're going through your 20's and trying to get a break and that kind of thing, and you're trying to do something that sounds like film music, your idea of what it would be, it never really worked out for me and it's only really when I learned to trust the fact that I could only really sound like me.
You know me better than anyone, and you're my best friend. I don't think there's anything you could say to me that would lead me to believe that you're doing it just to hurt me. If there's one thing I've come to know about you, it's that you're not even capable of something like that. Why do you think I like spending time with you so much? Because you're a good guy. A nice guy.
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