A Quote by Kiera Cass
The Selection was no longer something that was simply happening to me, but something I was actively a part of. I was an Elite.
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Human beings are themselves considered consumer goods to be used and then discarded. We have created a “disposable” culture which is now spreading. It is no longer simply about exploitation and oppression, but something new. Exclusion ultimately has to do with what it means to be a part of the society in which we live; those excluded are no longer society’s underside or its fringes or its disenfranchised – they are no longer even a part of it. The excluded are not the “exploited” but the outcast, the “leftovers”.
Just as a child, before I ever knew what ballet was, there was something in me where I was always searching for something structured, something that was bigger than me, and something so historical that I could be a part of. I didn't find that until I stepped into the ballet world, and it was overwhelming, the feeling of being a part of something that's bigger than you.
I have been a fan of movies from a very young age, and somehow, the magic of that - every single time I hear something or read something that could be made into a wonderful film or something somebody is asking me to be a part of - that connects. It just makes me feel like I'm going to be part of something magical again.
I am speaking of something that is no longer happening - that is not currently going on. If someone is abusing you, or doing something illegal, or even something you refuse to tolerate, and it's still continuing, that is not an issue of forgiveness, that is an issue of making sure that stops - even if you have to get away from that situation - that's very important.
I've passed along some advice that Oprah [Winfrey] gave to me: When something bad is happening, it's not happening to you; it's happening for you.
The idea that my life would be something I shared with the public wasn't just something that I assumed - it was something that I actively wanted. I still want it.
Part of it has to do with the discipline of being actively receptive. At the core of this receptivity is a process that might be called soft eyes. It is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore.
In preindustrial times, the idea of creating something was more related to your personality. Personality was something that you constructed; it's something you had to actively develop and work on. Now personality is something that you have.
I'm doing a lot of research right now on what's happening in Arizona. That's where I'm at with more conventional documentary filmmaking. I think it is an urgent cause. I think I need to make something. I'm a part of it. Everybody's a part of it, and this country needs to know what's happening there in a very truthful way.
You want to be part of something like that, that's something bigger than yourself, that's something you leave a legacy of being part of something special.
If you don't do anything, you simply end up overwhelmed by something happening.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
I don't want to see anyone. I lie in the bedroom with the curtains drawn and nothingness washing over me like a sluggish wave. Whatever is happening to me is my own fault. I have done something wrong, something so huge I can't even see it, something that's drowning me. I am inadequate and stupid, without worth. I might as well be dead.
I think to simply make fun of something isn't particularly interesting. I try to not just do a parody of something or belittle something or disparage something.
We have something special...a culture which we do not think of as something for the elite, but as something which is accessible to practically everybody.
It's instinctive in a certain kind of painting...It's like a nervous system. It's not described, it's happening. The feeling is going on with the task. The line is the feeling, from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning.
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