A Quote by Kieran Bew
I come from the theater and you normally have four or five weeks to prepare. For me, the fun of the job is to pull yourself into a subject that you know nothing about.
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Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.
TV [series] is a six-year decision. It's not four or five weeks. If a filmmaker and I don't get along, it's four weeks of your life, so whatever.
I think part of becoming a wonderful actor and part of defining your craft is defining yourself and being confident in yourself, so when the hard knocks come, and you don't get a job for five years, and your ego is being kicked around, you can pull yourself out of it.
After a Canadian has been referred to a specialist, the waiting list for gynecological surgery is four to 12 weeks, cataract removal 12 to 18 weeks, tonsillectomy three to 36 weeks and neurosurgery five to 30 weeks.
For instance, if you come at four in the afternoon, I'll begin to be happy by three. The closer it gets to four, the happier I'll feel. By four I'll be excited and worried; I'll discover what it costs to be happy! But if you come at any od time, I'll never know when I should prepare my heart... There must be rites.
In the theater you rehearse for a minimum of five to six weeks. And then you get to play it. Which means you get to get better. That's the great thing about the theater.
The TV show I do ['Dr Quinn'] is the day job that enables me to work with this theater [Pacific Resident Theatre Ensemble]. That's all I live for. That's what I care about. There's no dough in it. Nothing to do but lose money. But it's all from the heart, and that's why it's so much fun.
Work is fun to me. All those years of being an actor and a director and not being able to get a job - two weeks is too long to not know what my next job will be.
I started off in theater; I did exclusively theater for four or five years. In the last few years, television has come along but I can still make film. I feel very privileged that I can move between them.
Chicago theater vs. New York theater. There's just nothing to say about it really. If you've seen Chicago theater, you know that the work is true to what is there on the page. It's not trying to present itself with some sort of flashy, concept-based thing. It's about the work, and it's about the acting you're about to watch. So acting-based theater feels like it was born there to me.
People always ask me, 'Why did your wife take that extra job?' What they don't know is that four out of five days a week she's going to be home having dinner with us by five o'clock.
You know everything and you know nothing… And in that there’s this: You will always learn something new. About him. About her. About yourself. And in learning the bad, the uncomfortable, the messy- it’s what you take away that counts. What will you do with that knowledge? Will you leave? Pull tighter? Ignore it? Use it to fall in love even deeper? That’s when you learn more about yourself.
I'll look as if I'm dead, and that won't be true.' I said nothing. 'You understand. It's too far. I can't take this body with me. It's too heavy.' I said nothing. 'But it'll be like an old abandoned shell. There's nothing sad about an old shell...' I said nothing. 'It'll be nice, you know. I'll be looking at the stars, too. All the stars will be wells with a rusty pulley. All the stars will pour out water for me to drink...' I said nothing. 'And it'll be fun! You'll have five-hundred million little bells; I'll have five-hundred million springs of fresh water...' And he, too, said nothing more.
At eight o'clock the curtain goes up and that's it, you're out there with yourself, the audience, the other players. There's no "take two" business. You're on. The great thing is the rehearsals, too. When you're bouncing around on film sets and TV sets you don't really get the opportunity to - generally speaking - rehearse much. With theater you're kind of four-to-five weeks locked down in the room with the guys figuring stuff out. It's back to play school.
The media here know that there's the possibility that I can pull this off. I'm confident. Confidence comes with work. When you prepare yourself and you know you're going into combat with all of your bullets, you have the confidence to go into battle.
You find yourself by losing yourself. By not thinking about yourself all of the time. When I am in a slump with my writing, I'll go and walk for a week. Walk and not see a human being. Something happens after four or five days which is quite wonderful. It is an ancient thing. Your sense of smell. Your hearing. They come back.
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