A Quote by Kieran Bew
At drama school, I got a job choreographing and teaching the fights for Mark Rylance doing 'Hamlet' at the Globe in London when I was only 19. They made me fight captain.
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I found myself at Cambridge, loved my course, and met these amazing people who got me heavily involved. I presumed I would have to go to drama school, but I did a play with my uni friends, who were doing lots of pub theatre in London, and through that met my agent. She said 'Don't go to drama school. I'll get you a job' and two weeks later she did.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
I started studying theater in school, and then I got into drama school at, like, 19, and it was a national drama school in Montreal, and so it was just you and nine other students for three years, and it was really intense.
I was raised with the idea that the arts were a doss - but the arts are vital. If you see Mark Rylance perform Shakespeare at the Globe, you know it's a spiritual act.
I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.
I went to drama college in England - the Central School of Speech and Drama, in London. I was there for not quite two years, then I got Star Wars.
Mark Rylance is one of my heroes. I saw 'Jerusalem' four or five times, twice in New York, twice in London.
Acting is a sport - especially working with Mark Rylance. There is competition involved. I have to be muscular, challenging, get audiences on side. It's extraordinary how Globe audiences join in - it's like competing at an event - I love it.
I did school plays, and then, at the age of 18, I applied to drama school in London, and I got in. I've been very lucky that no one so far has stopped me from being able to live my dream - the industry or my parents.
I did a lot of musicals when I was young and finally went to drama school to try and get away from doing musicals... and of course the first thing that happened when I got out is I got offered a musical. And then when I got to the Royal Shakespeare Company, which was my next job, I ended up doing a bloody musical!
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
I like drama as well. When I played Hamlet, I got one review that said, "This must surely be the funniest Hamlet in history," but schoolgirls would still cry when he died.
My first acquaintance with 'Peter Pan' was back when I lived in South London. I was at art school, and I needed to earn money, so I got a job as a stagehand at the Wimbledon Theatre, and 'Peter Pan' was on tour there with Donald Sinden, who was playing Captain Hook.
I stayed a year in the sixth form and there was talk of Cambridge, but I wanted to go to drama school. At 17 and three months I went to the Old Vic School in London. This most remarkable and brilliant drama school lasted only six years because the Old Vic Theatre hadn't the money to go on funding it.
In my gap year between college and drama school, I taught art at a hospice and worked at a little coffee shop across the street from Shakespeare's Globe Theatre in London when everything around it was still a construction zone.
I used to do a Saturday drama group called Young Blood Theatre Company with school-friends in west London - nothing to do with my mum and dad. A casting director came to pick people out for a new BBC children's series called 'MI High.' She picked me, I auditioned, and I got the job.
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