A Quote by Kieran Hebden
I thought Everything Ecstatic was the happiest of them all - hence the "ecstatic" name. The whole concept behind that was total out-and-out euphoric mania. I think tracks like "Smile Around The Face" are the jolliest things I've ever done, really. But one of the things I like about my music is the fact that it's instrumental, so there are no lyrics to guide people.
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I've always explored things that people find a bit more freakish, like free jazz, and I'd gotten to a point where the live music I was making was really hectic and turning much more confrontational. So when I started working on Everything Ecstatic, that was very normal for me. I think it was a departure, but people read it as an escape from something, whereas every record I do is, I feel, a departure.
I like my job because it involves learning. I like being around smart people who are trying to figure out new things. I like the fact that if people really try they can figure out how to invent things that actually have an impact.
I think all of us set out to try and reach as many people. That's the whole point of being in a band: trying to get your music out there. So, any opportunity to do that, within reason. We're informed about where our music is going to be used; we get to say yes or no. There are things we can turn down, and there are things we can agree to. When it comes to movies and stuff like that, it's great for us. I don't think it's selling out. Maybe 10 or 20 years ago it was seen as selling out, but nowadays I think it's the only way to get your music out there.
That's the last thing on Earth you should think about... There's just a whole lot of things that aren't going to work for you. Figure out what they are and avoid them like the plague. And one of them is bitcoin... It is total insanity.
When the media would call and want to interview me, I thought it was 'cause they really wanted to find out what I thought about things. I thought it was because they really wanted to find out who I am. That's not what they wanted. They already in their minds knew who I was and they didn't like it, and they wanted face-to-face opportunities to expose my defects and my problems and my racism and bigotry and all this.
We know how to think. We know how to laugh. We know we're going to die, which gives us a lot to think about, and we have a need for, what I would call, "the transcendent" or "the numinous" or even "the ecstatic" that comes out in love and music, poetry, and landscape. I wouldn't trust anyone who didn't respond to things of that sort.
I think what really people want is just a few things done really, really well. And if you think about ever day of your life, the things you really appreciate aren't the complicated things. They're the simple things that work just the way you expect them to.
After Stand By Me came out, people were telling me, 'You're so good,' 'You're going to be a star,' and things like that. You can't think about it. If you take it the wrong way, you can really get high on yourself. People get so lost when that happens to them. They may think they have everything under control, but everything is really out of control. Their lives are totally in pieces.
I just smile. And they - my opponents don't like it when I smile at them. They think I'm playing or something. But - like I smile throughout the whole fight. Sometimes I'll be throwing combinations and I just smile and stick my tongue out at them.
Ecstasy is our very nature, not to be ecstatic is simply unnecessary. To be ecstatic is natural, spontaneous. It needs no effort to be ecstatic, it needs great effort to be miserable. That's why you look so tired, because misery is real hard work; to maintain it is really difficult, because you are doing something against the nature.
You never forget about things you've done that you know you shouldn't have done. They hang around your mind, linger like a thief casing a joint for a future job. You see them there, dramatically lurking nearby in striped monochrome, leaping behind postboxes as soon as your head whips around to confront them. Or it's a familiar face in a crowd that you glimpse but then lose sight of. An annoying Where's Wally? forever locked away and hidden in every thought in your conscience. The bad thing that you did, always there to let you know.
Do I start with the lyrics? No. Quite honestly, it's the opposite. I generally get the melody first - I kinda fiddle around on the guitar and work out a melody. The lyrics are there to flesh out the tone of the music. I've tried before to do things the other way around, but it never seems to work. Obviously, I spend a lot of time on my lyrics, I take them very seriously, but they're kinda secondary. Well, equal, maybe. I think sometimes that if you write a poem, it should remain as just a poem, just... words.
I think the serious things really are the things that make for happiness--people and things that are compatible, love.... So many people are content just to sit around and talk about them instead of getting out and attaining them. As if life were a joke of some kind.
I think it's really easy for people to point out hypocrisy in people's lives. It's like yeah, I get on planes a lot, and I drank from a plastic water bottle today - you know what I'm saying? A lot of people would just be like, "Oh, you're a hypocrite. You live in an ecovillage for a month, and then you fly around the world to talk about a movie." Don't think that I don't think about those things! Don't think that that's not, like, a quandary in my life. It can be a pretty intense ethical dilemma. I think it's about figuring out, you know, navigating life.
For every album we worked on, I brought in reels of tape of somewhere between fourteen and eighteen songs - some of them completed, with lyrics and melodies, some of them basic tracks. Things came out of those products. Like, for 'Hotel California', I think I had a reel with sixteen songs on it.
Image and music always works together for me. I think they're equally important and I've always done things in a way that people remember them by, but I don't set out to just shock people...because that's very easy, a lot of people could do that, I just like to do things the way that makes me happy really. And sometimes that's too much for certain people, but, you know, I try to push the envelope to make the boundaries wider as far as what you can and can't do in music.
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