A Quote by Kieran Hebden
The lo-fi scene and the riot grrrl thing had a huge influence on me. As a teenager I went to see Bikini Kill and all those bands.
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There is a lot to say about what Bikini Kill and other 'riot grrrl' bands were able to achieve when they first set out. They were not some momentary, convulsive, creative spasm of independent music. There was a very real, relevant point of view being expressed.
I loved all that riot-grrl scene and Nation of Ulysses and Bikini Kill and Huggy Bear. I loved it. It was the moment sort of first growing up where bands had stopped looking like roadies.
I started my own zine, and riot grrrl became a huge part of my identity.
Growing up, I went to the Warped Tour a lot, and I got to see bands like Rancid and AFI and Dropkick Murphys and these bands that meant so much to me when I was a kid - all in succession on these stages, so to get to play that same stage that I watched those bands play is a huge thing for me.
There is a masculinity in riot grrrl music, which is probably why I don't identify with it, but also why it was so important and powerful. That is something our scene has - regardless of who is in it, it has this very powerful feminine energy, like a Nefertiti head bust or Storm from X-Men. It's a woman you see as very powerful, sassy, arrogant, and dark.
Punk may have helped me find my voice and made me realise that I had the right to have one, but it was riot grrrl that helped me sustain that voice and shout a little louder.
Nobody has had a bigger influence on me as far as day-to-day preparation than Todd Lickliter. He was a huge, huge, huge influence.
For me to even be talking about bikini confidence is crazy. If you had asked me a couple of months ago, I probably would have been like, 'what are you talking about...' so it's actually huge for me to even feel okay with putting a bikini on.
Mi fe no descansa en lo que soy, o lo que seré, o como me siento, o lo que sé, sino en lo que Cristo és, en lo que él ha hecho, y en lo que él está haciendo en mí - My faith rests not in what I am, or shall be, or feel, or know, but in what Christ is, in what He has done, and in what He is now doing for me.
With my father and uncle so involved in racing, it was the only thing I ever knew, so I'm sure that had a huge influence on me. However, my father had more influence on me just by the way he lived, because the way he was at the racetrack was the way he was in everyday life.
I hate the attitude of, 'oh we already have a Lydia Lunch, so we do we need a Bikini Kill.' Well, there's like 2 hundered million all-male bands writting 'baby baby I love you, let me drag you around on my ankle.' Is that enough already? Duh!
I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation.
A huge thing for me growing up was going to see my favorite bands and feeling like, 'Okay, cool, they proved themselves and did things in a special way.' That's the most important thing.
I think the Cosmic Psychos were a band that was highly influential on the Seattle so called grunge scene. I know that Kurt and Nirvana were fans, they played shows with Pearl Jam. Even thou the Cosmic Psychos never had the commercial impact or success that those bands had, they were still a major influence on them, and I think a lot of it had to do with the spirit and the sound of their music.
When I was 16, 17 years old, I became aware of music coming out of Olympia, Wash., which is the state capitol and about an hour south of Seattle. And there were bands like Bikini Kill and Bratmobile and Heavens To Betsy, and for the first time, I heard my story being explained to me, being sung to me.
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
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