A Quote by Kiernan Shipka

The characters I've always been drawn to are real and flawed. That's not how women have always been portrayed. — © Kiernan Shipka
The characters I've always been drawn to are real and flawed. That's not how women have always been portrayed.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
I've always been drawn to dark, disturbing characters.
I'm very drawn to characters who are very flawed. I'm less interested in characters who are just good or bad, because to me then they're not real people.
There's nothing new about women playing pivotal parts or title roles in films. Women in strong characters have always been accepted. It has been this way for years.
I've always been drawn to playing characters that are a completely the opposite of myself.
There are stories to be told that are still untold and characters to be portrayed that haven't been portrayed correctly. So there's work to be done.
Any film I do is not going to change the way black women have been portrayed, or black people have been portrayed, in cinema since the days of D.W. Griffith.
I kept staring into the blackness of the woods, drawn into the darkness as I always had been. I suddenly realized how alone I was. (But this is how you travel, the wind whispered back, this is how you've always lived.)
I try to write about real women, real people - in other words flawed characters. I find flawed characters much more interesting than perfect ones and enjoy the challenge of making readers root for them in spite of their unsympathetic path and destructive choices. Life is about the gray areas. Things are seldom black and white, even when we wish they were and think they should be, and I like exploring this nuanced terrain.
I've always been drawn to older women.
I've always been drawn to writing historical characters. The best stories are the ones you find in history.
I've been lucky enough to play lots of real women - flawed, strong, independent women - and I love it.
I guess I've always been drawn to roles that have smart characters commenting on what's happening around them.
I'm really drawn to comedy. I grew up in the South, so I'm drawn to all things southern, so my role in 'Getting On' has been fun for me to play something southern - I always feel like I understand those characters more because of where I was raised.
I've always been told that if you spar with another man, you try and emulate what a real fight is going to be like. So you go hard. It's how I've always been.
Obviously, everything has always been defined by the dominant ideology. But the dominant ideology has been able to accept women's literature as well as men's literature. I would say that women have been hindered from creating for a variety of reasons, as Virginia Woolf so admirably explained in A Room of One's Own. When they have created, on the whole they have been recognized. In literature it hasn't been nearly as oppressive as in, say, painting, where even the existence of so many women painters has always been denied.
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