A Quote by Kiersey Clemons
I don't think people realize why weaves and the cultural appropriation of black hairstyles are so sensitive. It's deep-rooted. For me, it goes back to high school: I wanted to have the long, flowing hair. So I got a weave. But then I didn't want guys to put their fingers in it - you don't want them to feel your weave.
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The thing that surprised me the most is just how much money women that weren't rich were paying for their hair. When you're in a beauty parlor in Harlem next to abandoned buildings and somebody's paying five grand for a weave, that's a bit much. I think this is, in a weird way, part of the health care debate. It's like, hmm, there's people with $2000 weaves that could have bought health care with that weave money.
Stand on the highest pavement of the stair- Lean on a garden urn- Weave, weave the sunlight in your hair.
Weave, weave the sunlight in your hair-
It's like, hmm, there's people with $2000 weaves that could have bought health care with that weave money. They don't have insurance. People want what they want. And I guess that is a reason we have this big credit card problem and a lot of these foreclosures.
Weave me a rope from this dark despair, from this dull-eyed pain... Weave me a rope from this endless night, from this distant shore... Weave me a rope that will pull me through these impossible times.
Growing up, I had really big hair. Giant hair. As I got older, the goal was to make it smaller - I wanted to look like everyone else. So I got a weave. I would manipulate my hair and try to make it straight.
I'm a product of the '60s and the '70s - slightly rebellious back then in college, not so much in high school, when I got to college I think I was. And I think a lot of where I'm at right now is rooted in a lot of hypocrisy that I recognized back then that I never wanted to be personally.
I'm more of a short-hair girl; short hair is a lot more low-maintenance than long hair. And when you're in front of camera every day and your hair is being flatironed and blow-dried it's easier to have a weave so you don't damage your own hair.
That old black magic has me in its spell, That old black magic that you weave so well; Icy fingers up and down my spine, The same old witchcraft when your eyes meet mine.
The thing that I've learned is to stay ready to be ready, and I tell this to young people all the time. You don't have time to get ready. So, what that means to me is if you don't like your hair, your weave is wack, your teeth need fixing, if your attitude needs adjusting and you need therapy, you really want to lose 10 pounds - whatever that is for you - then you need to work on it starting now.
I think it's important to represent black women and our natural hair. Not wearing a weave is totally beautiful and acceptable.
Most people are nostalgic in a way that they're fond of the past, but they still are happy that they are where they are now. You know, when you say, 'Oh, high school was this or that,' you don't want to go back. No matter how much you loved high school, you don't want to actually be back in high school. I certainly wouldn't.
My mom is Jamaican and Chinese, and my dad is Polish and African American, so I'm pretty mixed. My nickname in high school was United Nations. I was fine with it, even though I identify as a black woman. People don't realize it hurts my feelings when someone looks at my hair or my eyes, and says, "But you're not actually black. You're black, but you're not black black, because your eyes are green." I'm like, "What? No, no, I'm definitely black." Even some of my closest friends have said that. It's been a bit touchy for me.
I have two main hair people I work with. They're always with me. I'm like, 'I'm bored! I wanna change my hair!' That's the good thing about a weave. You can do whatever with it.
I loathe hair salons. People have always told me I am in the wrong business because I can't stand getting my hair cut or having it messed around with. Hairdressers feel as if they've got to be your shrinks. I just want them to do my hair so I can get out of there.
When you tell a story, there are imperatives of structure, of style, of pacing and all of this, that are there simply because you want to make it a good story. When do you introduce your characters? When do you put them onstage, when do you take them off the stage? How do you weave the different threads of the narrative together?
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