A Quote by Kiersten White

-'I don't see what good it's going to do for you to waltz back in there and--' -'Can I tango back in there, instead? So much sexier than the waltz. — © Kiersten White
-'I don't see what good it's going to do for you to waltz back in there and--' -'Can I tango back in there, instead? So much sexier than the waltz.
The waltz can be sad and at the same time uplifting. You have to see life from both sides, and the waltz encapsulates that. If you're in my audience you give yourself to me and the waltz will grab you.
My small experience on 'Dancing with the Stars' allowed me to slowly appreciate the Waltz and Viennese Waltz, but to see it in Vienna is something much different.
With the waltz, especially the Viennese Waltz, it looks so beautiful and effortless and flows.
Even though the National Guard and Army Reserve see combat today, it rankles me that people assume it was some kind of waltz in the park back then.
It is my personality alone that has brought back the waltz and made it a global craze.
Christoph Waltz, you know, blew up in Hollywood at a very old age. He won two Oscars back-to-back so I thought, 'You know what? Even if it happens when I'm 50, that's fine.' You know, I'll always keep going, always keep trying.
William Waltz will take me through 'the buzz and clamor in a forest of hearts.' Adventures in the Lost Interiors of America is an adventure, I will go on this adventure with Waltz as a skillful, faithful, compass-true guide. I love this book.
Twerking takes its place in a long line of dance moves deemed immoral, even apocalyptic. The waltz was called sinful because it demanded dangerously close contact between dance partners. In 1914, the tango earned a papal denunciation for being 'damaging to the soul.'
Not going back is fine. Not going back but occasionally visiting might be best. Not going back but remembering so you don’t see the same view twice. Not going back so you can turn a new page, write a new chapter, develop an entire new list. Not going back so you can stretch and grow and see yourself in a light that you never knew existed. Not going back so that you can fly. Fly.
There are so many different versions of "Tennessee Waltz" and they're all so good.
Much as I'm loving the 'Strictly' experience, I'm sure I'll always be better known for my business career and my appearances on 'Dragons' Den' than I will for my cha-cha-cha or Viennese waltz.
I began to write a kind of waltz and in a little more than an hour I had the theme written.
I have had, and may have still, a thousand friends, as they are called, in life, who are like one's partners in the waltz of this world -not much remembered when the ball is over.
You have all this stuff going on in your head, like, 'I can't believe seven years has gone by, and I'm going to miss all these people.' And I'm like, 'Oh, by the way, Mick Jagger is to my right, and I just danced a waltz with him.' So there's that.
Tap dancing all started with the old clog waltz.
I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.
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