A Quote by Kiersten White

What, no flirting?” I asked, trying to buy time. “Aren’t you going to at least try to be sexy? Think of all those vampire fans out there—they’d be so disappointed.” I pulled out my silver knife. Probably should have paid more attention during my knife training. “Tell you what. Let me go and I promise not to tell anyone that you aren’t suave.
I came from a real tough neighborhood. Once a guy pulled a knife on me. I knew he wasn't a professional, the knife had butter on it.
But a knife ain't just a thing, is it? It's a choice, it's something you do. A knife says yes or no, cut or not, die or don't. A knife takes a decision out of your hand and puts it in the world and it never goes back again.
I can't turn around without hearing about some 'civil rights advance's White people seem to think the black man ought to be shouting 'hallelujah's Four hundred years the white man has had his foot-long knife in the black man's back — and now the white man starts to wiggle the knife out, maybe six inches! The black man's supposed to be grateful? Why, if the white man jerked the knife out, it's still going to leave a scar!
Why should I tell you?" he asked, with no small amount of petulance. "If you tell me, I will leave you alone," I said. "And if you don't tell me, I'm going to grab the nearest ghostwritten James Patterson romance novel and I am going to follow you through this store reading it out loud until you relent." Now I could see the fright beneath the defiance.
I'm just me. If I am sexy, it's just something I do naturally, like picking up a knife and fork to eat. I think people who try to be sexy are the most unsexy people in the world.
The knife is the most durable, immortal, the most genius thing that man created. The knife was the guillotine; the knife is the universal means of solving all knots; and along the blade of a knife lies the path of paradox - the single most worthy path of the fearless mind.
I have a knife collection. I have my favourite black knife with me all the time. It's a switchblade. It relaxes me to flick it. I close it and open it.
This editor is a critic. He has pulled out his carving-knife and his tomahawk and is starting after a book which he is going to have for breakfast.
I try to shut out ideas about why you should do things. Trying to do good architecture and really designing a career? There's some attention to be paid to that, but I don't think it's everything.
If you go into a bank or a shop and you want them to believe that you're going to shoot them, that's an acting exercise. If you want to turn to someone else who's as tooled up as you are and persuade them to put their knife down because you'll use your knife, that's an acting exercise. Nine out of 10 delinquents are frustrated actors.
I test the movies a lot, and if the audience says they love the movie, we know we're on the right track. And if they tell me they hate it, I try to figure out what I've done wrong. But every time out, the audience wants me to go deeper, they want to know more about the characters, and they don't want these movies to be shallow. So they really urge me to tell them a complicated story, and then when I do so, they're thrilled
The only good teachers for you are those friends who love you, who think you are interesting, or very important, or wonderfully funny; whose attitude is: "Tell me more. Tell me all you can. I want to understand more about everything you feel and know and all the changes inside and out of you. Let more come out." And if you have no such friend,--and you want to write,--well, then you must imagine one.
What does it matter, if we tell the same old stories? ...Stories tell us who we are. What we’re capable of. When we go out looking for stories we are, I think, in many ways going in search of ourselves, trying to find understanding of our lives, and the people around us. Stories, and language tell us what’s important.
The knife is the most permanent, the most immortal, the most ingenious of man's creations. The knife was a guillotine; the knife is a universal means of resolving all knots.
If you go to most pawn shops in Las Vegas, they will tell you exactly what they will pay for, say, an iPod. But if you show up with an 1833 ormolu clock, it won't pop up in their computer. They are going to tell you to go to Gold & Silver Pawn, because we buy weird things.
Blood fills my mouth. Fire sears my veins. I choke back a howl. The silver knife slips--the choice is mine. I am death or life. I am salvation or destruction. Angel or demon. I am grace. I plunge in the knife. This is my sacrifice-- I am the monster.
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