A Quote by Kiersten White

You'll be fine, just some minor burns and hypothermia, which was kind of hard to explain. — © Kiersten White
You'll be fine, just some minor burns and hypothermia, which was kind of hard to explain.
Do you not think that there are things which you cannot understand, and yet which are; that some people see things that others cannot? But there are things old and new which must not be contemplate by men´s eyes, because they know -or think they know- some things which other men have told them. Ah, it is the fault of our science that it wants to explain all; and if it explain not, then it says there is nothing to explain.
My songwriting process, and maybe loads of other people's, is just this sort of smashing together of emotions and stuff to make some music. It's kind of simple and really complex at the same time and, as you can see, incredibly hard to explain.
Behavioral economics can explain some things, but it's hard to explain a lot of the underlying processes that generate these decisions, much less some of these unconscious things that we don't have a handle on at all.
Awareness is fire; it burns all that is wrong in you. It burns your ego. It burns your greed, it burns your possessiveness, it burns your jealousy - it burns all that is wrong and negative, and it enhances all that is beautiful, graceful, divine.
It's hard not to want to become Ken Burns at times. I'm interested in being a Ken Burns who reaches that 17-year-old who goes to the multiplex just to see a good story well-told. And if there's history in it, all the better.
Female beauty is an important Minor Sacrament which cannot be received too often; I am not at all sure that neglect of it does not constitute a sin of some kind.
Love is kind of like when you see a fog in the morning, when you wake up before the sun comes out. It's just a little while, and then it burns away... Love is a fog that burns with the first daylight of reality.
I write, and when see a movie in which it's supernatural, some other worlds, or some other aspect to our world that we're not aware of, and [they] don't explain what the rules are, that kind of stuff drives me crazy.
The chords in 'Light My Fire' are based on [John] Coltrane's version of this song. He just solos over A minor and B minor, which is exactly what we did. Coltrane had played with Miles on Kind of Blue and took the idea of modal soloing over one or two chords farther out than anybody. He was a real pioneer - he just kept evolving, going where no one had ever gone. He could always attain this state of ecstasy when he played. Live, there was so much energy, you couldn't believe it. He would play for hours. It was indescribable.
The body is some kind of image of you, it's kind of something that's just attached to your soul, some kind of outside principle, which doesn't really represent who you really are.
I no longer want it all, just some comfort and some sex and some minor love.
History is hard to know, because of all the hired bullshit, but even without being sure of "history" it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody understands at the time--and which never explain, in retrospect, what actually happened.
I'm the kind of person where you're never done, you just keep perfecting and perfecting and perfecting, or trying to fix things that drive you crazy. Often times when you watch a film, "if I could just get through this minute, I'll be fine." So I think I'm just hard on myself.
If I feel like I'm going too far in one direction, I just can it. It's a weird thing. Some of my songs might be cheesy; I try and keep it light. It's hard to explain.
There are also in some places springs which have the peculiarity of giving fine singing voices to the natives, as at Tarsus in Magnesia and in other countries of that kind.
It's hard to smoke a pipe, and it's actually kind of brutal. It burns your mouth and your throat, and to keep it lit.
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