A Quote by Kiesza

I tend to sort of dive into things without worrying about risk or anything. Like, when I get an idea, I tend to just go for it and see what happens. — © Kiesza
I tend to sort of dive into things without worrying about risk or anything. Like, when I get an idea, I tend to just go for it and see what happens.
What do I mean when I say 'suspended animation'? It is the process by which animals de-animate, appear dead and then can wake up again without being harmed. OK, so here is the sort of big idea: If you look out at nature, you find that as you tend to see suspended animation, you tend to see immortality.
As we get older, we tend to become more risk averse because we tend to find reasons why things won't work. When you are a kid, you think everything is possible, and I think with creativity it is so important to keep that naivety.
I'm fairly unemotional and tend not to get too excited when things go well and I tend not to get too depressed when they go badly.
But successful investors tend to be not too self-destructive. They tend to be patient, they tend not to follow the crowd, and they tend not to be too guilty about winning.
People tend to set themselves up in patterns; something happens, it hurts them, then something similar happens, and - it's happened again! It seems much bigger then, and they get worried and go through life looking for that thing, and because they're so concerned and looking for it, when anything that happens resembles that thing, they're sure it's happening again. So sometimes people think things are repeating even when they're not.
Without sounding overly sentimental about the process, I'd say trying to describe how you tend to conceive of a book is like describing how you tend to fall in love.
When you are young you tend to do so many things that are not needed. When you get experience, you know what exactly what works for you and you tend to do things that you want.
When that happens - when risk is taken and the filmmakers dive into the subject matter without a parachute - very often what you get it something with those qualities that make it age well with the public.
I guess I would say first of all that we tend to go back to the 60s and we tend to see these struggles and these goals in a relatively static way.
I tend to go through periods worrying, "Where am I going, I can't see a way out of this," and it becomes quite stressful. But sometimes you have to take a bet on yourself.
You hear about people your whole life, 'So-and-so has cancer,' and you're like, 'Wow, that's too bad,' and then most people tend to go about their day. But when someone tells you that it's your father or it's your family, that doesn't tend to go away.
Whenever I get the sort of fancy pants idea that I'm doing anything other than pure expression things start to go wrong. When I get too premeditated, things start to go wrong. I just shut that part of my brain off.
I read a ton of nonfiction. I tend to read about a lot of very extreme situations, life-or-death situations. I'm very interested in books about Arctic exploration or about doomed Apollo missions. I tend to read a lot of nonfiction that's sort of hyperbolic and visceral. And then I kind of draw on my own personal experiences and my own sort of generic life experience, and I kind of try to feed my day-to-day reality that I have with sort of high stakes reference points that I read about. They're things everyone can relate to.
Formula 1 is the sort of place where people tend to have an opinion about everything, and usually, they tend to believe their own opinion is the right one, even if it relates to someone else.
Many women tend toward the interdependent end of things, we tend to see ourselves in relationship to others to a far greater degree than men.
I find that the things that really, you know, get us fired up, tend to be things that, for example, things that you talk about tonight, what we see in the news.
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