A Quote by Kiesza

I was a weird teenager. My mother was actually worried because I didn't have any interest in dating in my teenage years. I had all this desire to pursue my passions like ballet, then sailing, then music, so I didn't have any emptiness to fill.
When I am with my family, then I can just sort of switch off. It's kind of weird, because I go back and I go into this bedroom that I have had since I was a teenager. It is like this parallel universe, because one minute I am on the red carpet and then the next I am hiding out in this room I have had since I was 15.
Any day you had gym class was a weird school day. It started off normal. You had English, Social Studies, Geometry, then suddenly your in Lord of the Flies for 40 minutes. Your hanging from a rope, you have hardly any clothes on, teachers are yelling at you, kids are throwing dodge balls at you and snapping towels - you're trying to survive. And then it's Science,Language, and History. Now that is a weird day.
As long as I can remember, I've been writing - first poems, then stories, and by my early teenage years I was also in love with sailing.
Now when I was a teenager, I was angsty as any teenager was, but after 17 years of having a mother who was in and out of my life like a yo-yo and a father who was faceless, I was angry.
The future of ballet is really in the hands of the creators, so if it's something that interests them to push the envelope with gender roles, then I think it will change. But if that's not of interest to a dance-maker, if their interest is to sort of preserve the way things have been done for the past 200 years, then nothing is going to change.
I read a lot until was about 12, then as a teenager I was more interested in kissing boys. But I kept a diary for a few years, so words were a big part of my teenage years.
I was so invested in ballet, and it was my entire life. And then it was realizing that I didn't want it to be my entire life forever. And then it was this very specific life, and I wanted to learn about other things. So I modeled to fill the time because dancing was very much a job, even when I was 14 years old.
You can be really weird, and people will still accept you if you're in movies. I'm not actually weird, but if I feel like being weird, then I can do it, and they accept it because you're an actor.
You are so addicted and you have become so habituated that you cannot allow the cup to be empty even for a single moment. The moment you see emptiness anywhere you start filling it. You are so scared of emptiness, you are so afraid.: emptiness appears like death. You will fill it with anything, but you will fill it.
I think any teenager, any single parent household teenager growing up in New York City, will probably go through tumultuous years. I definitely did. It all sort of righted itself once I definitively got on the path of being a musician or, like, following that directly.
As long as the mind is seeking to fill itself, it will always be empty. When the mind is no longer concerned with filling its own emptiness, then only does that emptiness cease to be.
I've played drums since I was 15. My sisters and I all played instruments. I kind of started with piano and then I actually played saxophone with a jazz band in middle school. So, any knowledge I had of jazz music was from playing alto-sax back then.
I lived in the Caribbean when I was a teenager, so I learned about Salsa and Cha-Cha and all these Latin Afro-Cuban music like Gillespie and Duke Ellington, also bridged with Jazz. But my mother is Greek, and so I've also listened a lot to Greek music. And through the years to Balcanic music to Arabic music because my father loved music from Egypt.
I never had that desire to start or join a rock band. Nor did I ever have a desire to see my idols in concert. I would have loved to see The Cure. I didn't understand the whole concept of: you love music, you buy the album, and then you go see them in concert. It felt like something that was so untouchable that I didn't even attempt to try and bring it to any place other than my headphones.
If Balanchine had any secret, it was one that has endured through two hundred years of classical ballet. It is that dancing correctly in three dimensions, on the music, creates the fourth dimension of meaning.
Just as eagles soar through the vast expanse of the sky without meeting any obstructions, needing only minimal effort to maintain their flight, so advanced meditators concentrating on emptiness can meditate on emptiness for a long time with little effort. Their minds soar through space-like emptiness, undistracted by any other phenomenon. When we meditate on emptiness we should try to emulate these meditators.
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