A Quote by Kiki Bertens

I know I can play good on clay. — © Kiki Bertens
I know I can play good on clay.

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I think it's fun to play on hard courts, you know. I think it's a surface that also can suit my game even though this year has been mainly clay, clay, clay all the year.
This clay, so strong of heart, of sense so fine,Surely such clay is more than half divine--'Tis only fools speak evil of the clay,The very stars are made of clay like mine.
I usually don't play really good on clay.
On clay courts I have some weapons to play a good match.
I think I am a complete player. I can play well on all the surfaces. For me, the clay might be easiest, but I am not a specialist on clay.
I've had good results on clay during my junior years and I enjoy playing on clay to the opposite of what many media can say.
No one ever grows up. They may look grown-up, but it's a disguise. It's just the clay of time. Men and women are still children deep in their hearts. They still would like to jump and play, but that heavy clay won't let them.
I feel like I'm playing some of my best tennis on clay. I'm sliding a lot, moving a lot. I know how to adjust to the surface, so I'm loving the clay.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
And like I said, I didn't know him very well, but my ears perked up whenever I heard his name. I guess I wanted to hear something - anything - juicy. Not because I wanted to spread gossip. I just couldn't believe someone could be that good. If he was actually that good... wonderful. Great! But it became a personal game of mine. How long could I go on hearing nothing but good things about Clay Jensen? Normally, when a person has a stellar image, another person's waiting in the wings to tear them apart. They're waiting for that one fatal flaw to expose itself. But not with Clay.
Nadal is just more at home on clay. It looks like he feels safer on clay courts. He can get to a few more balls, he can play a bit further behind the baseline when he defends, and he's also able to get the ball to bounce higher. It's unbelievable.
Hard courts are faster and the bounce is lower indoors. Rafa cannot slide on this surface. He's more comfortable on clay, where he can play higher, he can play deeper.
I've been feeling really comfortable on clay because I have more time to set up my forehand. I can use a lot of different shots - drop shots and high balls. You can mix up a lot of shots, so it's actually more fun to play on clay.
I called. Why wasn't anyone here?"- Elena We were here." Clay said. "Around, anyway. You should have left a message." I did. Two hours ago." - Elena Well that explains it. I've been out, by the gate all day, waiting for you, and you know Jer never checks the machine."- Clayton I didn't know how Clay had known I was coming back today when I hadn't left a message. Nor did I question why he'd spent the entire day waiting at the gate. Clay's behavior couldn't be measured by human standard's of normalcy... or by any standards of normalcy at all. Bitten
True, I don't begin with an idea for a play - a thesis, in other words, to construct the play around. But I know a good deal about the nature of the characters. I know a great deal about their environment. And I more or less know what is going to happen in the play.
We love to play on clay.
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