A Quote by KiKi Layne
Seeing all of these beautiful brown faces and having that patience for them to live in whatever it was that they were living in; I was just so blown away by the artistry that I recognized in 'Moonlight' - the colors, the music.
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Watching 'Moonlight,' I just recognized this patience in the film - allowing moments to live and linger - and I just thought that was so beautiful.
If I had the money, I would love to open up a movie theater that just played images and colors and beautiful music. For me, there's nothing like listening to a beautiful opera sometimes - on a record or seeing it live - just to be sleepy and let those beautiful voices take me somewhere I've never been before.
The Three of them were beautiful, in the way all girls of that age are beautiful. It can't be helped, that sort of beauty, nor can it be conserved; it's a freshness, a plumpness of the cells, that's unearned and temporary, and that nothing can replicate. None of them was satisfied with it, however; already they were making attempts to alter themselves into some impossible, imaginary mould, plucking and pencilling away at their faces. I didn't blame them, having done the same once myself.
I just don't like looking at the crowd and seeing them just staring and listening to the music. When I get them involved, whatever type of music I'm playing, they leave there feeling better.
I think having toured the world and seeing many places, I've just been blown away by how we've really scarred our home. I'm as guilty as the next person if not more so. I travel a lot. The damage we do to our planet is huge.
This is what is sad when one contemplates human life, that so many live out their lives in quiet lostness...they live, as it were, away from themselves and vanish like shadows. Their immortal souls are blown away, and they are not disquieted by the question of its immortality, because they are already disintegrated before they die.
I remember seeing 'Gremlins' and having my mind blown and seeing 'Ferris Bueller's Day Off' at 13, and it was this hugely aspirational experience.
We had so many milestones in America. We were on our way to universal healthcare. We had gay marriage. We were talking about gender fluidity and trans issues openly and discussing them with respect. It was almost to the point where educating people about transgender rights wasn't an issue. We were including trans people as a normal part of our conversations instead of seeing their presence as this shocking thing to the system. We forgot that those things can be taken away from you because there are people in the world that, for whatever f - king reason, can't live and let live.
With the casting in Israel, sometimes there were four or five people, that you could just flip a coin and choose from, that would have been all terrific. And seeing all of these fabulous faces that the American audiences are just not used to seeing is really exciting.
It blows me away that my parents, they really weren't much into theater, but they recognized that in me. When I think about the things they did to support that, I'm blown away.
Live shows are where I can just go off, I do the most. I can recreate songs live and take one element and build on that that for like 40 minutes and I like seeing people's faces when I'm making something live.
The first time I learned about Aerie, I was blown away by how beautiful and confident the models appeared in their ads - and more so that they were un-retouched.
It is the press that has taken these charges and accusations and blown them up without any kind of skepticism whatsoever - blown them into realities and treated them as if they were true.
From MARS Volume 3 by Fuyumi Soryo: Kira: “Why do you go through all that just to race? I guess asking that is the same thing as asking why I draw….probably because I’m alive….that’s all there is to it. I sense colors in you. They’re strong and beautiful….and sad. I wondered what your colors were for a long time. They’re the colors of the sunset…the blazing shades of a sunset that burn just before the darkness sets in. You said it was nothing, but there’s no one as alive as you.
I do not think he [Reagan] put names and faces together but for a small group of people. There were a few, perhaps half a dozen reporters, that Reagan recognized, including my colleague Lou Cannon, and some from television and the wire services. The rest of us were faces.
One of my most memorable moments serving the community was after I built the Live Civil Playground in Haiti, and I visited an orphanage and gave away shoes to all the kids. I also sat with them and helped them design their shoes. The smiles on their faces were priceless.
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